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- Title: Short Bio of Pieter Aertsen (1508/09-1575)
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- like pure examples of these types, but which in fact have a religious
- Title: Short Bio of Albrecht Altdorfer
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- working in Regensburg, of which town he was a citizen from 1505 onwards,
- celebrated Battle of Issus (Alte Pinakothek, Munich, 1529), which
- Title: Short Bio of Altichiero (active 1372-84)
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- of St George (between 1377 and 1384), in the latter of which he
- the point of departure for a new style which is reflected in Pisanello.
- Title: Short Bio of Fra Angelico (c. 1400-55)
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- monastry which was taken over by his Order in 1436. He and his
- the name by which he was always known, and it was certainly used as
- Title: Short Bio of Zacharie Astruc (1833-1907)
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- paper for its duration, in which he lauded the participating
- Title: Short Bio of Hendrick Avercamp (1585-1634)
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- popularity and he sold his drawings, many of which are tinted with
- Title: Short Bio of Hans Baldung
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- the centre panel of which is a radiant Coronation of the Virgin.
- known of which is The Bewitched Stable Boy (1544), which has been
- Title: Short Bio of Federico Barocci (c. 1535-1612)
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- which combine the influence of
- Title: Short Bio of Jacopo Bassano (1553-1613)
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- way he helped to develop the taste for paintings in which the genre or
- Title: Short Bio of Giovanni Bellini (1430?-1516)
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- which is still in the church of Santi Giovanni e Paolo in Venice, was painted
- Title: Short Bio of Abraham Beyeren
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- in which he was rivalled only by Kalf, gave him ever greater opportunity
- Title: Short Bio of William Blake (1757-1827)
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- However, he did much work for which other artists and engravers got the
- Title: Short Bio of Hieronymus Bosch
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- artistic career in the small Dutch town of Hertogenbosch, from which he
- all of which are now lost. The artist probably never went far from home,
- Title: Short Bio of Marie Bracquemond
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- the techniques of which he taught
- which was largely concerned with engraving. It was in this medium
- a fact of which he seems to have been conscious; their son Pierre,
- Title: Short Bio of Agnolo Bronzino
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- of S. Lorenzo (S. Lorenzo, Florence, 1569), in which almost every one
- and Time (National Gallery, London), which conveys strong feelings
- of the Accademia del Disegno, of which he was a founder member in 1563.
- Title: Short Bio of Ford Brown
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- for which he designed stained glass and furniture. The major work of the
- Title: Short Bio of Pieter Bruegel (about 1525-69)
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- traditions of the Mechelen (now Malines) region in which allegorical and
- Title: Short Bio of Hans Burgkmair
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- of characterization, which is typical of all his works, not least his incisive
- Title: Short Bio of Alexandre Cabanel (1823-89)
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- titillating (but supposedly chaste) nudes at which he excelled.
- Title: Short Bio of Canaletto (Giovanni Antonio Canal)
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- in rivalry with him, Canaletto began to turn out views which were more
- which ultimately formed an important part of his work.
- Title: Short Bio of Alonso Cano (1601-67)
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- pictures, which are strongly lit in the manner of Zurbarán.
- Title: Short Bio of Carracci (1557-1602)
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- academy, which soon became a center for progressive art. It was originally
- latter never worked in fresco, which was still regarded as the greatest
- in which he was followed by Domenichino (his favorite pupil), Claude,
- the form) and in his early genre paintings, which are remarkable for their
- Title: Short Bio of Pietro Cavallini (active 1273-1308)
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- and a fragmentary fresco cycle, the most important part of which is a
- Title: Short Bio of Clouet
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- with which they share a keenness of observation; whereas Holbein's drawings
- which has caused much confusion, and one of the finest works attributed
- Title: Short Bio of John Constable (1776-1837)
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- is in the V&A, London, which has the finest collection of Constable's
- Title: Short Bio of Correggio (Antonio Allegri)
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- could be accounted for by drawings and prints which were known all over Italy.
- paintings in which Correggio developed the
- Title: Short Bio of Piero Cosimo
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- as a highly eccentric character who lived on hard-boiled eggs, which he
- for which he is best known are appropriately idiosyncratic fanciful mythological
- finest of which is that of Simonetta Vespucci (Musée Condé, Chantilly),
- in which she is depicted as Cleopatra with the asp around her neck. His
- is the Immaculate Conception (Uffizi, Florence), which seems to
- Title: Short Bio of Thomas Couture (1815-79)
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- which was the sensation of the Salon of 1847.
- his big work, which now if often cited as the classic example of the worst
- Title: Short Bio of Lucas Cranach (1472-1553)
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- (Reinhart Collection, Winterhur), and several religious works in which he
- (Staatliche Museen, Berlin), which shows the Holy Family resting in the
- Title: Short Bio of Cuyp
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- Cuyp. The name of a family of Dutch painters of Dordrecht, of which
- He is noted principally for paintings of biblical and genre scenes which
- Title: Short Bio of Edward d'Ancona
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- The first company to publish d'Ancona pin-ups, about 1935 to 1937, was Louis F. Dow in St Paul. d'Ancona worked in oil on canvas and his originals from that time usually measured about 30 x 22 inches. His early work is comparable in quality to that of the young Gil Elvgren, who had begun to work for Dow in 1937. Because d'Ancona produced so much work for Dow, one might assume that he was born in Minnesota and lived and worked in the St Paul, Minneapolis area. It is known that he supplied illustrations to the Goes Company in Cincinnati and to several soft-drink firms, which capitalized on his works similarity to the Sundblom/Elvgren style, which was so identified with Coca-Cola. During the 1940s and 1950s, d'Ancona's superb use of primary colors, masterful brushstrokes, and painterly style elevated him to the ranks of the very best artist in pin-up and glamour art. His subject matter at this time resembled Elvgren's. Both enjoyed painting nudes and both employed situation poses a great deal. d'Ancona also painted a fair amount of evening-gown scenes, as did Elvgren, Frahm, and Erbit.
- By 1960, d'Ancona had moved into the calendar art field. Instead of doing pin-ups and glamour images, however, he specialized in pictures on the theme of safety in which wholesorne policemen helped children across the street in suburban settings that came straight out of Norman Rockwell.
- Title: Short Bio of Gerard David
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- (Groeningemuseum, Bruges, 1498), a gory subject to which his reflective
- Title: Short Bio of Stuart Davis (1894-1964)
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- which was associated with the
- which made an overwhelming impact on him.
- He later went over to pure abstract patterns, into which he often
- Title: Short Bio of Eugène Delacroix (1798-1863)
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- pictured an incident in which 20,000 Greeks were killed by Turks on the
- Title: Short Bio of Billy DeVorss
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- exclusively in pastels, due to both the speed at which he could work and the
- Title: Short Bio of Dosso Dossi
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- for the part played in his work by landscape, in which he continues the
- Title: Short Bio of Adam Elsheimer
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- direct manner in which he showed great sensitivity to effects of light;
- in which figures predominate, but generally they are fused into a harmonious
- by which he has deprived the world of the most beautiful things'; he also
- Title: Short Bio of Master Flémalle (active 1406-44)
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- (National Gallery, London), which shows the homely detail and down-to-earth
- Title: Short Bio of Jean Fouquet (c. 1420-c. 1481)
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- of this Italian journey, the influence of which can be detected in the
- the strongly scrulptural character of his painting, which was deeply rooted
- Title: Short Bio of Jean-Honoré Fragonard (1732-1806)
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- at Tivoli, memories of which occur in paintings throughout his career.
- canvases by which he is chiefly known
- Title: Short Bio of Art Frahm
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- Frahm, whose commercial art ranged from magazine cover illustration to zany "hobo" calendar paintings, excelled in (and perhaps created) the "ladies in distress" series for the Joseph C. Hoover & Sons calendar company, in which a lovely girl is literally caught with her panties down, her lacy undies slipping to her ankles while she's in the process of bowling, walking the dog or changing a tire.
- Title: Short Bio of Caspar Friedrich
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- Cross in the Mountains (Gemaldegalerie, Dresden), in which for the first
- evening sun, which the artist said depicted the setting of the old,
- compositions in which crosses dominate a landscape.
- meanings, clues to which are provided either by the artist's writings or
- Title: Short Bio of Henry Fuseli
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- out in many of his literary subjects, which formed a major part of his
- Title: Short Bio of Thomas Gainsborough
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- small portrait groups in landscape settings which are the most lyrical
- made drawings which he varnished. He also, in later years, painted fancy
- Title: Short Bio of Gentile (c. 1370-1427)
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- of his day, but most of the work on which his great contemporary reputation
- painted for the church of Sta Trinità in Florence, which places him alongside
- Title: Short Bio of Domenico Ghirlandaio
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- altarpieces. He also painted portraits, the finest of which is Old Man
- Title: Short Bio of Francisco Goya
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- also influenced by neoclassicism, which was gaining favor over the rococo
- Title: Short Bio of Jean-Baptiste Greuze
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- pictures of young girls, which contain thinly veiled sexual allusions under
- Title: Short Bio of Matthias Grünewald (his real name was Mathis Neithart, otherwise Gothart, 1470/80-1528)
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- (c.1513-15), which was long believed to have been painted
- Title: Short Bio of Francesco Guardi
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- studio, of which Gianantonio was head and which handled commissions of
- Title: Short Bio of Jan Heem
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- which he is most renowned and are very different in spirit from his earlier
- tables which breathe all the opulent exuberance of Flemish
- Title: Short Bio of Velino Shije Herrera
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- oriole (red bird) and bad egg. This is the name by which he signed paintings.
- Title: Short Bio of Nicholas Hilliard
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- to France, which he visited c.1577-78. In his treatise The Arte of Limning
- to heighten the vividness with which the sitter's face is impressed. Apart
- Title: Short Bio of David Hockney (1937- )
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- versatility of his work, but also on his colorful personality, which has
- Title: Short Bio of Ron Kitaj
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- to take up pastel, which he has used for much of his subsequent work.
- Title: Short Bio of Paul Klee
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- analyze the primary visual elements and the ways in which they could be
- scleroderma, which forced him to develop a simpler style and eventually
- Title: Short Bio of Charles de La Fosse (1636-1716)
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- and Paolo Veronese, which he
- Title: Short Bio of Charles Le (1619-90)
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- and in 1663 he was made director of the reorganized Academie, which he
- Title: Short Bio of Kasimir Malevich (1878-1935)
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- which brought abstract art to a geometric simplicity more radical
- (There is often difficulty also in knowing which way up his paintings
- Title: Short Bio of Henri Matisse (1869-1954)
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- paradise world into which Matisse draws all his viewers. He gravitated to
- Title: Short Bio of Hans Memling (1430?-94)
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- depicting St. Ursula's journey to Rome, which he painted for the hospital's
- Title: Short Bio of Jean-François Millet (1814-75)
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- mythological subjects or portraiture, at which he was especially
- Angélus (Musée d'Orsay), which 40 years later
- Title: Short Bio of Amedeo Modigliani
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- sculpture, in which he would continue his very personal idiom, distinguished
- Modern Art, New York City) exemplify his sculptural work, which consists
- Title: Short Bio of Piet Mondrian
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- Dutch phrase nieuwe beelding, which also means "new form" or "new image." The
- Title: Short Bio of Earl Moran
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- at the same time working for a large engraving house which specialised in
- Title: Short Bio of Gustave Moreau (1826-1898)
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- (the artist's house), which Moreau left to the nation on his death.
- Title: Short Bio of Rowena Morrill
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- was born into a mobile military family in 1944 and had the opportunity to travel widely as a child. She absorbed a diversity of cultures in such places as Japan, Italy and many parts of the United States, to which she nows attributes much of her inspiration.
- Rowena began painting at age of twenty-three due to her restlessness as a military wife, but it wasn't long before her painting evolved from a part-time avocation to a full-time occupation. In the course of the next ten years she brought together her diverse experience, vivid imagination, inspiration and talent and developed the style and technique for which she is now so well known.
- Title: Short Bio of Bartolomé Murillo (1617-82)
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- determine the order in which he painted them.
- Title: Short Bio of GeorgePetty
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- that Petty opened his first studio in Chicago, by which time his client list
- Title: Short Bio of Piero (1420?-92)
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- care with which he rendered the landscapes that provide the backgrounds for
- Title: Short Bio of Ludovic Piette (1826-77)
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- at work, which later belonged to Camille, the painter's son;
- Title: Short Bio of Jackson Pollock (1912-56)
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- and the drip and splash style for which he is best known emerged with
- style of painting which avoids any points of emphasis or identifiable
- painting which matured in the late 1940s and early 1950s.
- Title: Short Bio of Pierre-Auguste Renoir (1841-1919)
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- which was evidently begun before the visit to Italy and finished
- (by which time he was world-famous) he lived in the warmth of the south
- Title: Short Bio of Auguste Rodin (1840-1917)
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- Title: Short Bio of Dante Rossetti
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- caused him to withdraw from public exhibitions and turn to watercolors, which
- (which Rossetti had translated into English) and Sir Thomas Malory's Morte
- Title: Short Bio of Henri Rousseau (1844-1910)
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- Rousseau is now best known for his jungle scenes, the first of which is
- imaginative power, in which he showed his extraordinary ability to retain
- Title: Short Bio of Peter Rubens
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- painters workshops, in which fully qualified artists executed paintings
- years, which were spent largely at his estate, Chateau de Steen.
- Title: Short Bio of Georges Seurat (1859-1891)
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- technique called pointillism, or divisionism, which uses small dots or
- Title: Short Bio of Paul Signac
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- of painting with dots or "points" in French of color, which led to the
- Title: Short Bio of Alfred Sisley
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- and was becoming more deeply influenced by the notions which were
- in which he was to stay until virtually the end of his life.
- he was living, one of which,
- shows the way in which his dominent and evident lyricism still respects
- he retained a passionate interest in the sky, which nearly always
- Title: Short Bio of Yves Tanguy (1900-55)
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- lunar landscapes in which amorphous nameless objects proliferate in a
- Title: Short Bio of James Tissot
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- women's costumes: indeed, his work which has a fashion-plate elegance
- Title: Short Bio of Diego Velázquez (1599-1660)
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- from which he died on August 6.
- Title: Short Bio of Jim Warren
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- Tools: Traditional oil paint on stretched canvas which I coat with a gesso primer. Only paintbrushes are used to paint with and NO airbrush, as people have sometimes thought.
- Title: Short Bio of Jean-Antoine Watteau (1684-1721)
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- first of three versions of the myth of Cythera, the island of love for which
- Title: Short Bio of Benjamin West (1738-1820,)
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- painting in which he broke away from classical costumes;
- which anticipated
- Title: Short Bio of James Whistler (1834-1903)
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- inspired much of his early work. The circles in which he moved can be
- in which Whistler is portrayed alongside Baudelaire,
- which are mainly portraits and landscapes, particularly scenes of the
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