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• Title: Short Bio of Pieter Aertsen (1508/09-1575)
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  • University of Uppsala, 1551).
  • talented was his nephew and pupil Joachim Bueckelaer.
• Title: Short Bio of Fra Angelico (c. 1400-55)
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  • Minerva, where his tombstone still exists. His most important pupil was
• Title: Short Bio of Balthasar Ast (1593/94-1657)
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  • was his pupil in Utrecht.
• Title: Short Bio of Hendrick Avercamp (1585-1634)
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  • His nephew and pupil
• Title: Short Bio of Frédéric Bazille (1841-70)
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  • group.
  • had given generous financial support to Monet and Renoir.
• Title: Short Bio of Giovanni Bellini (1430?-1516)
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  • about his family. His father, a painter, was a pupil of one of the leading
  • and acclaim. His influence carried over to his pupils, two of whom became
• Title: Short Bio of Sandro Botticelli (Alessandro di Moriano Filipepi, 1444/5-1510)
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  • 19th century by a group of artists in England known as the Pre-Raphaelites.
  • apprenticed to a goldsmith. Later he was a pupil of the painter Fra Filippo
• Title: Short Bio of Adolphe-William Bouguereau (1825-1905)
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  • pupils, you have to work to the finish. There's only one kind of
• Title: Short Bio of Dirk Bouts
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  • Last Supper
  • distinctive and a convincing oeuvre has been built up for him.
• Title: Short Bio of Marie Bracquemond
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  • A pupil of Guichard, who was a pupil of
  • one of her staunchest supporters, noted that he was jealous of her
  • as well as an enthusiastic supporter of Impressionist doctrines
• Title: Short Bio of Agnolo Bronzino
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  • painter, the pupil and adopted son of Pontormo, who introduced his portrait
  • with the nude was better deployed in the celebrated Venus, Cupid, Folly,
  • His pupils included Alessandro Allori, who — in a curious mirroring of his
• Title: Short Bio of Hans Burgkmair
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  • Indeed, he occupied a place in Augsburg comparable to that of Dürer
• Title: Short Bio of Alexandre Cabanel (1823-89)
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  • titillating (but supposedly chaste) nudes at which he excelled.
• Title: Short Bio of Gustave Caillebotte
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  • Paris). Caillebotte's superb collection of impressionist paintings was left
• Title: Short Bio of Carracci (1557-1602)
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  • supreme masterpieces of painting. It was enormously influential, not only
  • in which he was followed by Domenichino (his favorite pupil), Claude,
  • overcome by melancholia and gave up painting almost entirely after 1606.
• Title: Short Bio of Mary Cassatt (1844-1926)
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  • She was a great practical support to the movement as a whole,
  • She also advised and encouraged her friends the Havemeyers to build up
• Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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  • Chardin's early support came from aristocratic patrons, including King Louis
• Title: Short Bio of William Chase
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  • his example. His pupils (whom he encouraged to paint in the open air) included
• Title: Short Bio of Théodore Chassériau (1819-56)
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  • He was the most gifted pupil of
• Title: Short Bio of Petrus Christus
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  • authorities to have been the pupil of
• Title: Short Bio of Piero Cosimo
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  • Cosimo, Piero di (c.1462-1521?). Florentine painter, a pupil of
  • by his pupil Andrea del Sarto.
• Title: Short Bio of Gustave Courbet (1819-77)
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  • in Ornans, France. He went to Paris in 1841, supposedly to study law, but he
• Title: Short Bio of Thomas Couture (1815-79)
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  • (1815-79). French historical and portrait painter, a pupil of
• Title: Short Bio of Jasper Cropsey
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  • him with studio space and art supplies in order to develop his artistic
• Title: Short Bio of Cuyp
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  • and a pupil of Abraham Bloemaert at Utrecht. He is thought of today mainly
  • he also painted many other subjects. He was the son and probably the pupil
• Title: Short Bio of Edward d'Ancona
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  • Although he was a prolific pin-up artist who produced hundreds of enjoyable images, almost nothing is known about his background. He sometimes signed his paintings with the name "D'Amarie", but his real name appears on numerous calendar prints published from the mid 1930s through the mid 1950s, and perhaps as late as 1960.
  • The first company to publish d'Ancona pin-ups, about 1935 to 1937, was Louis F. Dow in St Paul. d'Ancona worked in oil on canvas and his originals from that time usually measured about 30 x 22 inches. His early work is comparable in quality to that of the young Gil Elvgren, who had begun to work for Dow in 1937. Because d'Ancona produced so much work for Dow, one might assume that he was born in Minnesota and lived and worked in the St Paul, Minneapolis area. It is known that he supplied illustrations to the Goes Company in Cincinnati and to several soft-drink firms, which capitalized on his works similarity to the Sundblom/Elvgren style, which was so identified with Coca-Cola. During the 1940s and 1950s, d'Ancona's superb use of primary colors, masterful brushstrokes, and painterly style elevated him to the ranks of the very best artist in pin-up and glamour art. His subject matter at this time resembled Elvgren's. Both enjoyed painting nudes and both employed situation poses a great deal. d'Ancona also painted a fair amount of evening-gown scenes, as did Elvgren, Frahm, and Erbit.
  • By 1960, d'Ancona had moved into the calendar art field. Instead of doing pin-ups and glamour images, however, he specialized in pictures on the theme of safety in which wholesorne policemen helped children across the street in suburban settings that came straight out of Norman Rockwell.
• Title: Short Bio of Stuart Davis (1894-1964)
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  • He grew up in an artistic environment, for his father
• Title: Short Bio of Eugène Delacroix (1798-1863)
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  • Charenton-St-Maurice, France. In 1815 he became the pupil of the French
• Title: Short Bio of Billy DeVorss
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  • to pursue his career in both pin-up art and advertising.
• Title: Short Bio of Gustave Doré (1832-83)
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  • In the 1870s he also took up painting (doing some large and ambitions
• Title: Short Bio of Peter Driben
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  • was perhaps one of the most productive pin-up artists of
  • His first known Pin-Up was the cover to Tattle Tales in October 1934, and
  • Driben's Pin-Up Girls are distinctive due to the bold colours he used,
• Title: Short Bio of Adam Elsheimer
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  • copies of his works. His paintings were engraved by his pupil and patron,
• Title: Short Bio of Gil Elvgren
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  • Elvgren started producing pin-up girls in 1937 for the publishing company
  • $1000 per pin-up, substantially more than he was getting at Dow. His contract
  • specified between 18 and 20 pin-ups per year, and only for Brown and Bigelow.
• Title: Short Bio of Henri Fantin-Latour (1836-1904)
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  • group portraits that are important historical documents and show his
  • and others grouped round a portrait of
• Title: Short Bio of Robert Feke
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  • group in Boston,
• Title: Short Bio of Master Flémalle (active 1406-44)
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  • Städelsches Kunstinstitut in Frankfurt that were wrongly supposed to have
  • for Daret was Campin's pupil and Rogier almost certainly was.
• Title: Short Bio of Jean-Honoré Fragonard (1732-1806)
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  • spirit. He was a pupil of
  • vogue, but in spite of the admiration and support of
  • paintings seem to sum up an era. His delicate coloring, witty
• Title: Short Bio of Art Frahm
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  • Art Frahm, yet another Chicago area artist and a likely Sundblom-shop graduate, compares favorably with such master technicians in oil as Elvgren. But his significance comes out of his defining roles in two seemingly opposite pin-up categories.
• Title: Short Bio of Lucian Freud
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  • won a prize at the Festival of Britain, and since then he has built up
  • arresting close-up. His early work was meticulously painted, so he has
  • Superrealist), but the subjectivity and intensity of his work has always
• Title: Short Bio of Pearl Frush
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  • female pinup artists of the fifties.
• Title: Short Bio of Henry Fuseli
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  • encouraged him to tape up painting, and he spent the years 1770-78 in Italy,
• Title: Short Bio of Thomas Gainsborough
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  • and in 1752 he set up as a portrait painter at Ipswitch. His work at this
  • small portrait groups in landscape settings which are the most lyrical
  • With the exception of his nephew Gainsborough Dupont, he had no assistants
• Title: Short Bio of Aert Gelder
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  • last pupils in Amsterdam. He was not only one of the most talented of Rembrandt's
  • pupils, but also one of his most devoted followers, for he was the only
• Title: Short Bio of Jean-Léon Gérôme
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  • a pupil of Paul Delaroche and inherited his highly finished academic style.
  • won Gérôme great popularity and he had considerable influence as an upholder
• Title: Short Bio of Domenico Ghirlandaio
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  • Ghirlandaio's son and pupil Ridolfo (1483-1561) was a friend of
  • His most famous pupil, however, was Michelangelo.
• Title: Short Bio of Giotto (c. 1267-1337)
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  • supposedly saw the 12-year-old boy sketching one of his father's sheep on a
  • to let Giotto become his pupil. Another story is that Giotto, while
  • Magister (Great Master) and appointed him city architect and superintendent
  • pictures of people under stress, of people caught up in crises and
• Title: Short Bio of Hugo Goes
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  • but this is combined with lucid organization of the figure groups and a
• Title: Short Bio of Nuño Gonçalves
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  • dry, but powerfully realistic, and the polyptych contains a superb gallery
• Title: Short Bio of Francisco Goya
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  • reflected contemporary historical upheavals and influenced important
  • Bayeu, sister of Saragossa artist Francisco Bayeu. The couple had many
  • by his deafness, he became increasingly occupied with the fantasies and
  • Upon the restoration of the Spanish monarchy, Goya was pardoned for
• Title: Short Bio of El Greco (1541-1614)
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  • met there, described him as a pupil of
• Title: Short Bio of Antoine-Jean Gros
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  • David. Although he revered David and became one of his favorite pupils,
  • and his pupil Bonington amongst others.
• Title: Short Bio of Matthias Grünewald (his real name was Mathis Neithart, otherwise Gothart, 1470/80-1528)
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  • Grünewald grew up in Würzburg near Nuremberg, and from 1501 until 1521 he
  • commissions, and, although he was apparently a Protestant and a supporter of
• Title: Short Bio of Jean-Baptiste Guillaumin
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  • Impressionist group.
• Title: Short Bio of Willem Heda
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  • (d. 1702) was his most important pupil.
• Title: Short Bio of Nicholas Hilliard
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  • pupil Isaac Oliver. These two were head and shoulders above their contemporaries
• Title: Short Bio of Meindert Hobbema
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  • in his native Amsterdam, where he was the friend and only documented pupil
• Title: Short Bio of Katsushika Hokusai (1760-1849)
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  • Group of Workmen Building a Boat.
• Title: Short Bio of Wassily Kandinsky (1866-1944)
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  • avant-garde exhibitions, he founded the influential Munich group Der
• Title: Short Bio of Ken Kelly
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  • Tarzan, or the rock group Kiss, Kelly's signature is synonymous with dynamic
• Title: Short Bio of Ron Kitaj
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  • Allen Jones), particularly in holding up his own preference for figuration
  • to take up pastel, which he has used for much of his subsequent work.
  • as has a preoccupation with his Jewish identity, and he has said:
• Title: Short Bio of Paul Klee
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  • grew up in a musical family and was himself a violinist. After much
  • group that contributed much to the development
  • He now built up
• Title: Short Bio of Gustav Klimt (1862-1918)
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  • preoccupations of turn-of-the-century Vienna's dazzling intellectual world.
• Title: Short Bio of Charles de La Fosse (1636-1716)
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  • was the decoration of the cupola of the Church of Les Invalides in
• Title: Short Bio of Nicolas Largillière (1656-1746)
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  • for the Flemish masters, Largillière came to be looked upon as a
• Title: Short Bio of Charles Le (1619-90)
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  • or supervised the production of most of the paintings, sculptures, and
• Title: Short Bio of Earl MacPherson
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  • pinup artwork, was born in August, 1910. He was born on his grandparents'
  • Carroll Girls. This brought him to the attention of the Kings of Pinup,
  • despite painting the best selling pinup girl for the Shaw-Barton Calendar
  • Foster ‘How to’ art books: ‘Pinup Art: How to Draw and Paint Beautiful
  • MacPhersons style. When the Pin-Up market collapsed in the late 1950's
• Title: Short Bio of Kasimir Malevich (1878-1935)
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  • abstract geometric patterns in style he called suprematism; taught painting
  • (1918) carries suprematist theories to absolute conclusion; Soviet politics
  • Suprematist movement,
  • as early as 1913, but Suprematist paintings were first made public
  • (There is often difficulty also in knowing which way up his paintings
• Title: Short Bio of Edouard Manet (1832-1883)
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  • aroused the hostility of the critics and the enthusiasm of a group of
• Title: Short Bio of Andrea Mantegna (1431?-1506)
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  • viewer the illusion of looking up from below. The effect is somewhat the same
  • as looking up from ground level at statues mounted on a pedestal.
  • up his own workshop, declaring that he would no longer allow Squarcione to
• Title: Short Bio of Franz Marc
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  • beginning of the twentieth-century The Blaue Reiter group put
  • group of heroic horses.
• Title: Short Bio of Henri Matisse (1869-1954)
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  • and his spirit, his mind, always had the upper hand over the ‘‘beast'’
• Title: Short Bio of Jean-François Millet (1814-75)
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  • in Paris in 1838 to become a pupil of Paul Delaroche.
  • stock, he tended to look upon farmworkers as narrow-minded and
• Title: Short Bio of Earl Moran
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  • pin-up for the company: "Golden Hours" in 1933. This pin-up proved so popular
  • Earl Moran became one of America's best known pin-up artists after Life
• Title: Short Bio of Gustave Moreau (1826-1898)
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  • Symbolist artists. He was a pupil of
  • his pupils’ individual talents rather than trying to impose ideas on them.
  • His pupils included Marquet and
• Title: Short Bio of Rowena Morrill
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  • Rowena began painting at age of twenty-three due to her restlessness as a military wife, but it wasn't long before her painting evolved from a part-time avocation to a full-time occupation. In the course of the next ten years she brought together her diverse experience, vivid imagination, inspiration and talent and developed the style and technique for which she is now so well known.
• Title: Short Bio of Pierre Patel (1605-1676)
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  • French landscape painter. He was a pupil of
• Title: Short Bio of GeorgePetty
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  • and most respected of the pin-up artists. Petty was born in Abbeville,
  • George Petty is best remembered for his pin-up creation ‘The Petty Girl’,
• Title: Short Bio of Ludovic Piette (1826-77)
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  • A landscape-painter, who was a pupil of
• Title: Short Bio of Jackson Pollock (1912-56)
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  • some abruptness in 1947. Instead of using the traditional easel he affixed
  • of automatism that it was supposed by artists and critics alike to result
• Title: Short Bio of Pierre-Auguste Renoir (1841-1919)
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  • district and became a leading member of the group of Impressionists
  • he developed a softer and more supple kind of handling.
  • took up mythological subjects
  • of his life, and in his last years he also took up sculpture,
  • directing assistants (usually Richard Guino, a pupil of
• Title: Short Bio of Auguste Rodin (1840-1917)
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  • The father superior of the order recognized Rodin's talents and encouraged
  • occupy the Hotel Biron in Paris as the Musee Rodin and are still placed as
• Title: Short Bio of Dante Rossetti
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  • PRE-RAPHAELITES, a group of English painters and poets who hoped to bring to
  • London. Although he won support from John Ruskin, criticism of his paintings
• Title: Short Bio of Henri Rousseau (1844-1910)
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  • a product of his imagination. He took up painting as a hobby and
  • Rousseau was buried in a pauper's grave, but his greatness began to be
• Title: Short Bio of Peter Rubens
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  • Rubens's upbringing mirrored the intense religious strife of his age — a
  • as the place to complete his education. Upon arriving (1600) in Venice, he
  • supervised the execution of an enormous body of works that spanned all areas
  • these huge commissions, Rubens set up a studio along the lines of Italian
  • Rubens's phenomenal productivity was interrupted from time to time by
• Title: Short Bio of John Sargent (1856-1925)
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  • superficiality. At this time he visited Monet at Giverny
• Title: Short Bio of Alfred Sisley
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  • His family gave him every support, sending him to Gleyre's studio,
  • he first exhibited at the Salon in 1867 it was as the pupuil of
  • and Sisley, with a family to support, was reduced to a state of penury,
  • the Impressionist group, exhibiting with them in 1874, 1876, 1877
• Title: Short Bio of Yves Tanguy (1900-55)
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  • Originally a merchant seaman, he was impelled to take up painting after
  • group. In 1939 he emigrated to the USA, where he lived for the rest of
  • characteristic works are painted in a scrupulous technique reminiscent
• Title: Short Bio of Dorothea Tanning
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  • 1935 moved to New York City, where she supported herself with advertising art
  • painting as a professional after meeting a group of French
• Title: Short Bio of James Tissot
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  • artist, bug there has been a recent upsurge of interest in him, expressed
• Title: Short Bio of Jean-François Troy (1679-1752)
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  • the life of the French upper class and aristocracy, especially during
• Title: Short Bio of Joseph Turner (1775-1851)
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  • watch him while he painted. He gave up attending the meetings of the academy.
  • Turner left a large fortune that he hoped would be used to support what he
• Title: Short Bio of Diego Velázquez (1599-1660)
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  • supreme artists of all time. A master of technique, highly individual in
  • Duties of Velasquez’ royal offices also occupied his time. He was
• Title: Short Bio of Leonardo (c.1485-1532)
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  • Last Supper (1495-97) and
• Title: Short Bio of Jim Warren
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  • Currently: Jim lives in Clearwater, FL with his wife, Cindy, daughter Drew (born in 1992) and his son, Art (born in 1994). Jim's stepdaughter, Rebecca (born in 1974) lives in California. Jim feels that maintaining a close family with a demanding career is one of his greatest accomplishments, and thanks his family for all their support and assistance. His entire family helps with his art business, doubling as Art Director, Assistant (his wife) and Models (his children).
• Title: Short Bio of Jean-Antoine Watteau (1684-1721)
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  • In 1702 he traveled to Paris, where he supported himself by turning out
  • treasures at the Luxembourg Palace. This collection included a group of
• Title: Short Bio of James Whistler (1834-1903)
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  • bankruptcy in 1879. His house was sold and he spent a year in Venice