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- Title: Short Bio of Federico Barocci (c. 1535-1612)
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- was much sought after, his patrons including the emperor Rudolf II.
- Title: Short Bio of William Blake (1757-1827)
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- However, he did much work for which other artists and engravers got the
- Title: Short Bio of Agnolo Bronzino
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- He was a much respected figure who took a prominent part in the activities
- Title: Short Bio of Alonso Cano (1601-67)
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- in his later paintings; they are much softer in technique than his earlier
- Title: Short Bio of Carracci (1557-1602)
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- much to admire and praise in his work. Annibale's art also had a less formal
- Title: Short Bio of William Chase
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- in 1896. The vigorous handling and fresh color characteristic of much of
- Title: Short Bio of Clouet
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- which has caused much confusion, and one of the finest works attributed
- (Louvre, Paris, 1562), much more Italianate than any of his father's paintings,
- Title: Short Bio of Correggio (Antonio Allegri)
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- in the dome of Parma Cathedral he used the same principle, but on a much
- Title: Short Bio of Gustave Courbet (1819-77)
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- pretty pictures that made life look better than it was. Courbet, against much
- Title: Short Bio of Thomas Couture (1815-79)
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- false in overall effect. His more informal works, however, are often much
- Title: Short Bio of Cuyp
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- rediscovering his merits, and he is still much better represented in English
- Title: Short Bio of Edward d'Ancona
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- The first company to publish d'Ancona pin-ups, about 1935 to 1937, was Louis F. Dow in St Paul. d'Ancona worked in oil on canvas and his originals from that time usually measured about 30 x 22 inches. His early work is comparable in quality to that of the young Gil Elvgren, who had begun to work for Dow in 1937. Because d'Ancona produced so much work for Dow, one might assume that he was born in Minnesota and lived and worked in the St Paul, Minneapolis area. It is known that he supplied illustrations to the Goes Company in Cincinnati and to several soft-drink firms, which capitalized on his works similarity to the Sundblom/Elvgren style, which was so identified with Coca-Cola. During the 1940s and 1950s, d'Ancona's superb use of primary colors, masterful brushstrokes, and painterly style elevated him to the ranks of the very best artist in pin-up and glamour art. His subject matter at this time resembled Elvgren's. Both enjoyed painting nudes and both employed situation poses a great deal. d'Ancona also painted a fair amount of evening-gown scenes, as did Elvgren, Frahm, and Erbit.
- Title: Short Bio of Peter Driben
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- poses are designed to show as much leg as possible. In his later years Peter
- Title: Short Bio of Henri Fantin-Latour (1836-1904)
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- particularly are in a precise, detailed style. Much of his later career
- Title: Short Bio of Jean Fouquet (c. 1420-c. 1481)
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- when he painted a portrait, now lost, of Pope Eugenius IV. Much has been made
- Title: Short Bio of Lucian Freud
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- late 1950s) his handling became much broader.
- Title: Short Bio of Henry Fuseli
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- Fusely was a much respected and influential figure in his lifetime,
- Title: Short Bio of Thomas Gainsborough
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- painting; at Bath his change of portrait style owed much to a close study
- output was prodigious) was much more easy-going and often overdue with
- Title: Short Bio of Aert Gelder
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- preference for oriental types, are very much in the master's spirit, although
- Title: Short Bio of Luca Giordano
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- He began in the circle of Ribera, but his style became much more colorful
- Title: Short Bio of Giotto (c. 1267-1337)
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- much that he was finally allowed to study painting.
- Title: Short Bio of Jean-Baptiste Greuze
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- him acute embarrassment. Much of Greuze's later work consisted of titillating
- Title: Short Bio of Velino Shije Herrera
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- the trends in art for the pueblos. His "Buffalo Dancer" is a much copied
- Title: Short Bio of Hans Holbein (1465?-1524)
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- chiefly as a painter of portraits. His services were much in demand. The more
- Title: Short Bio of Ron Kitaj
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- to take up pastel, which he has used for much of his subsequent work.
- Title: Short Bio of Paul Klee
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- grew up in a musical family and was himself a violinist. After much
- group that contributed much to the development
- Title: Short Bio of Andrea Mantegna (1431?-1506)
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- There was much interest in Padua at that time in collecting and studying
- Title: Short Bio of Henri Matisse (1869-1954)
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- in him, though there was much passion. He is an awesomely controlled artist,
- Title: Short Bio of Gustave Moreau (1826-1898)
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- to court this as he had private means, and much of his life was spent
- Title: Short Bio of Rowena Morrill
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- was born into a mobile military family in 1944 and had the opportunity to travel widely as a child. She absorbed a diversity of cultures in such places as Japan, Italy and many parts of the United States, to which she nows attributes much of her inspiration.
- Title: Short Bio of Bartolomé Murillo (1617-82)
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- Murillo was much admired in other countries, particularly England. Here his
- Title: Short Bio of Odilon Redon (1840-1916)
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- as a colorist that had lain dormant. Much of his early life had been
- a serious illness in 1894-95, he was transformed into a much more buoyant
- oils and pastel. The flower pieces, in particular, were much admired by
- Title: Short Bio of Pierre-Auguste Renoir (1841-1919)
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- much hardship early in his career, but he began to achieve success
- Title: Short Bio of Henri Rousseau (1844-1910)
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- His character was extraordinarily ingenuous and he suffered much ridicule
- Title: Short Bio of Diego Velázquez (1599-1660)
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- much from studying nature. After his marriage at the age of 19, Velasquez
- Title: Short Bio of James Whistler (1834-1903)
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- inspired much of his early work. The circles in which he moved can be
- Washington), where attenuated decorative patterning anticipated much in the
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