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- Title: Short Bio of Altichiero (active 1372-84)
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- Italian painter. He probably came from Zevio near Verona and is sometimes
- Title: Short Bio of Fra Angelico (c. 1400-55)
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- 1500, had something of his restraint and grandeur.
- Title: Short Bio of Jacopo Bassano (1553-1613)
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- something of the peasant artist, even though the influence of, for example,
- search for novel effects of light, taking on something of the iridescent
- Title: Short Bio of Giovanni Bellini (1430?-1516)
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- of expression. His method of using oil paint brought not only a greater
- Title: Short Bio of Marie Bracquemond
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- She was something of a recluse, and many of her finest works
- Title: Short Bio of Ford Brown
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- taste for literary subjects and meticulous handling an influence on their
- Title: Short Bio of Pieter Bruegel (about 1525-69)
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- sometimes called the "peasant Bruegel" from such works as
- Title: Short Bio of Gustave Caillebotte
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- Beaux-Arts in Paris. He met
- Title: Short Bio of Alonso Cano (1601-67)
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- sometimes called the Spanish
- (1655) that is sometimes considered his masterpiece.
- Title: Short Bio of Carracci (1557-1602)
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- with mythological scenes for Duke Ranuccio Farnese. It shows a meticulous
- Title: Short Bio of Mary Cassatt (1844-1926)
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- (Lady at the Teatable, 1885; Metropolitan Museum, New York),
- Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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- Mme Chardin (Metropolitan Museum).
- masters such as Metsu and
- Title: Short Bio of Petrus Christus
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- figures sometimes rather doll-like and without van Eyck's feeling of
- Title: Short Bio of John Copley (1738-1815)
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- Smibert. In about 1755 Copley met the English artist Joseph Blackburn, whose
- Title: Short Bio of Piero Cosimo
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- inventions, inhabited by fauns, centaurs, and primitive men. There is sometimes
- Title: Short Bio of Edward d'Ancona
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- Although he was a prolific pin-up artist who produced hundreds of enjoyable images, almost nothing is known about his background. He sometimes signed his paintings with the name "D'Amarie", but his real name appears on numerous calendar prints published from the mid 1930s through the mid 1950s, and perhaps as late as 1960.
- Title: Short Bio of Henri Fantin-Latour (1836-1904)
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- (sometimes called Homage to Manet)
- Title: Short Bio of Master Flémalle (active 1406-44)
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- (Metropolitan Museum, New York), and he is indeed sometimes referred to as
- Title: Short Bio of Lucian Freud
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- arresting close-up. His early work was meticulously painted, so he has
- sometimes been described as a Realist (or rather absurdly as a
- Title: Short Bio of Henry Fuseli
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- at its best has something of the imaginative intensity of his friend Blake,
- Title: Short Bio of Thomas Gainsborough
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- Gainsborough sometimes said that while portraiture was his profession
- he is sometimes influenced by Rubens. But he was
- Title: Short Bio of (Eugène-Henri-) Gauguin (1848-1903)
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- a conceptual method of representation was a decisive step for
- Title: Short Bio of Domenico Ghirlandaio
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- and a certain grandeur of conception that sometimes hints at the High Renaissance.
- Title: Short Bio of El Greco (1541-1614)
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- throughout his life, always in Greek characters, and sometimes followed
- met there, described him as a pupil of
- Title: Short Bio of Antoine-Jean Gros
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- In 1793 Gros went to Italy, where he met Napoleon and was appointed
- Title: Short Bio of Ando Hiroshige (1797-1858)
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- is sometimes of lesser quality, as he appears to have hurriedly met
- Title: Short Bio of Katsushika Hokusai (1760-1849)
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- In his late works Hokusai used large, broken strokes and a method
- Title: Short Bio of Hans Holbein (1465?-1524)
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- Thomas More, set out for London. He met with a favorable reception in England
- Title: Short Bio of Wassily Kandinsky (1866-1944)
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- painting. His forms evolved from fluid and organic to geometric and,
- Title: Short Bio of Charles Le (1619-90)
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- Methode pour apprendre a dessiner les passions...
- Title: Short Bio of Kasimir Malevich (1878-1935)
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- the most important pioneer of geometric
- abstract geometric patterns in style he called suprematism; taught painting
- (1926), on his theory; first to exhibit abstract geometric paintings; strove
- which brought abstract art to a geometric simplicity more radical
- should be hung, photographs of early exhibitions sometimes providing
- Title: Short Bio of Henri Matisse (1869-1954)
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- the elder of the two, but he was a slower and more methodical man
- Title: Short Bio of Hans Memling (1430?-94)
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- am Main, Germany. Memling, whose name is sometimes spelled Memlinc, first
- Title: Short Bio of Pierre Patel (1605-1676)
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- with whose paintings his own have sometimes been confused.
- Title: Short Bio of Piero (1420?-92)
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- geometry and mathematics and was known for his contributions in these fields.
- writing. He wrote a treatise on painting and others on geometry and applied
- Title: Short Bio of Jackson Pollock (1912-56)
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- or knives (to use his own words), sometimes obtaining a heavy impasto
- the finished work the canvas was sometimes docked or trimmed to suit the
- Title: Short Bio of Pierre-Auguste Renoir (1841-1919)
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- who met at the Café Guerbois. His relationship with Monet was
- Title: Short Bio of Auguste Rodin (1840-1917)
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- him to pursue his art. In 1864 Rodin met a seamstress named Rose Beuret. She
- Title: Short Bio of Dante Rossetti
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- met William Holman Hunt and John Millais, with whom he launched the
- Title: Short Bio of Henri Rousseau (1844-1910)
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- (although he sometimes interpreted sarcastic remarks literally and took
- Title: Short Bio of Donald Rust
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- For many years, Rusty's paintings concentrated on circus and portrait subjects; but recently, wildlife subjects have intrigued him more and more. His portraits include such prominent individuals as: Emmett Kelly Sr., Emmett Kelly Jr., Merle Evans (Ringling band leader), Norman Rockwell, and Molly Rockwell. In fact, D.L. Rust and Norman Rockwell used to correspond regularly and in one letter Rockwell emphasized that Rusty's artwork "is very good indeed."
- Title: Short Bio of Egon Schiele
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- fulfilled by sexuality. At first strongly influenced by Klimt, whom he met
- Title: Short Bio of Paul Signac
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- and others. After he and Seurat met in 1884, they developed their technique
- Title: Short Bio of Alfred Sisley
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- where he met
- received something approaching the recognition he deserved.
- Title: Short Bio of Jim Warren
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- Tools: Traditional oil paint on stretched canvas which I coat with a gesso primer. Only paintbrushes are used to paint with and NO airbrush, as people have sometimes thought.
- Title: Short Bio of James Whistler (1834-1903)
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