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- Title: List of Short, Artist Biographys
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- Title: Short Bio of Fra Angelico (c. 1400-55)
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- was in touch with the most advanced developments in contemporary
- For most of his career Angelico was based in S. Domenico in Fiesole
- Title: Short Bio of Zacharie Astruc (1833-1907)
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- by Manet (1866; Kunsthalle, Bremen).
- Title: Short Bio of Federico Barocci (c. 1535-1612)
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- rivals were trying to poison him, and the hypersensitive temperament this
- the Mannerist tradition (his rather indefinite treatment of space, for
- Italian painter of his period and lamented that he had languished in
- Title: Short Bio of Jacopo Bassano (1553-1613)
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- still-life element assumes greater importance than the ostensible religious
- Title: Short Bio of William Blake (1757-1827)
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- copperplate etchings to illustrate the Book of Job in the Old Testament.
- Title: Short Bio of Hieronymus Bosch
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- torments of hell. During his lifetime Bosch's works were in the inventories
- (later king of Castile), for a lost Last Judgment altarpiece. None of
- Title: Short Bio of François Boucher (1703-1770)
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- sentimental, facile style was too widely imitated and fell out of
- Title: Short Bio of Dirk Bouts
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- Apart from these, there are no documented works, but his style is highly
- Title: Short Bio of Marie Bracquemond
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- that his real achievements lay, and the 200 or so plates that
- with his experiments in the medium. In 1879 he planned with
- achievement, seldom showed her works to viewing artists and resented
- Title: Short Bio of Melchior Broederlam (active 1381-1409)
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- from 1387. Documents show that he was a busy and versatile artist, but his
- forward to the later development of the Netherlandish School.
- Title: Short Bio of Ford Brown
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- man of prickly temperament; he opposed the Royal Academy and was a pioneer
- Title: Short Bio of Sir Burne-Jones (1833-1898)
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- and biblical themes, are noted for their sentimentality and dreamlike
- Title: Short Bio of Gustave Caillebotte
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- to the French government on his death. With considerable reluctance the
- government accepted part of the collection.
- Title: Short Bio of Alonso Cano (1601-67)
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- His movements were partly dictated by his tempestuous character, for more
- In spite of his violent temperament, his work tends to be serene and
- Title: Short Bio of Carracci (1557-1602)
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- in the movement against the prevailing Mannerist artificiality of Italian
- of the Bolognese School, notably Domenichino and Reni, two of the leading
- illusionistic elements, it retains fundamentally the self-contained and
- work became accepted as a fundamental part of composing any ambitious history
- in which he was followed by Domenichino (his favorite pupil), Claude,
- Pantheon. It is a measure of his achievement that artists as great and
- Title: Short Bio of Mary Cassatt (1844-1926)
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- She was a great practical support to the movement as a whole,
- though her love of her adopted countrymen did not increase with age,
- Title: Short Bio of Pietro Cavallini (active 1273-1308)
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- and a fragmentary fresco cycle, the most important part of which is a
- Last Judgement
- Title: Short Bio of Paul Cézanne (1839-1906)
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- works and ideas were influential in the aesthetic development of many
- 20th-century artists and art movements, especially
- Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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- greatest of the 18th century, whose genre and still life subjects documented
- He favored simple still lifes and unsentimental
- Title: Short Bio of Petrus Christus
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- He is first documented at Bruges in 1444, and he is thought by some
- Lamentation
- Title: Short Bio of Clouet
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- his son. He was celebrated in his lifetime, but no documented works survive.
- in 1541. His work is somewhat better documented than his father's, but
- Title: Short Bio of John Constable (1776-1837)
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- Constable developed his own original treatment from
- atmospheric effects of changing light in the open air, the movement of
- clouds across the sky, and his excited delight at these phenomena,
- Title: Short Bio of Correggio (Antonio Allegri)
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- altarpiece (Gemäldegalerie, Dresden, 1514), his first documented work,
- initiated a style of sentimental elegance and conscious allure with soft
- and they were highly influential on the development of
- Title: Short Bio of Piero Cosimo
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- no signed, documented, or dated works by him, and reconstruction of his
- inventions, inhabited by fauns, centaurs, and primitive men. There is sometimes
- Title: Short Bio of Gustave Courbet (1819-77)
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- Title: Short Bio of Jasper Cropsey
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- skills. Jasper took advantage of Trench's encouragement and sketched
- Title: Short Bio of Cuyp
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- more closely in spirit than any of his countrymen who travelled to Italy.
- Title: Short Bio of Edward d'Ancona
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- By 1960, d'Ancona had moved into the calendar art field. Instead of doing pin-ups and glamour images, however, he specialized in pictures on the theme of safety in which wholesorne policemen helped children across the street in suburban settings that came straight out of Norman Rockwell.
- Title: Short Bio of Gerard David
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- Title: Short Bio of Stuart Davis (1894-1964)
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- He grew up in an artistic environment, for his father
- environment of American life, he rearranged them into flat poster-like
- introduced lettering, suggestions of advertisements, posters, etc.
- Title: Short Bio of Eugène Delacroix (1798-1863)
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- influential in the development of both
- island of Chios. The French government purchased it for 6,000 francs.
- Title: Short Bio of Gustave Doré (1832-83)
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- religious works) and sculpture (the monument to the dramatist and novelist
- Title: Short Bio of Dosso Dossi
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- the poet Ariosto in devising court entertainments, triumphs, tapestries,
- Title: Short Bio of Albrecht Dürer
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- Title: Short Bio of Adam Elsheimer
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- he played a key role in the development of 17th-century landscape painting.
- his lyrical temperament, and he is credited with being the first artist
- was a friend of Elsheimer and after his death lamented his sin of sloth,
- Title: Short Bio of Henri Fantin-Latour (1836-1904)
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- group portraits that are important historical documents and show his
- Title: Short Bio of Master Flémalle (active 1406-44)
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- none of whose documented pictures survive. The identification depends
- there is no argument about his achievement, for he made a radical break
- The Entombment
- Title: Short Bio of Jean-Honoré Fragonard (1732-1806)
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- complete embodiments of the
- Title: Short Bio of Caspar Friedrich
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- element in the composition. More important are the dominant rays of the
- Title: Short Bio of Henry Fuseli
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- Title: Short Bio of Thomas Gainsborough
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- the composer wrote that he avoided the company of literary men, who were
- Title: Short Bio of (Eugène-Henri-) Gauguin (1848-1903)
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- French painters of the Postimpressionist period, whose development of
- Title: Short Bio of Gentile (c. 1370-1427)
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- also for the naturalistic treatment of lignt in the
- Title: Short Bio of (Jean-Louis-André-) Géricault (1791-1824)
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- Painter who exerted a seminal influence on the development of
- Title: Short Bio of Domenico Ghirlandaio
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- Domenico Ghirlandaio
- Ghirlandaio, Domenico (1449-94). Florentine painter. He trained
- But he also had considerable skill in the management of complex compositions
- Title: Short Bio of Giotto (c. 1267-1337)
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- of the Court of Heaven, and a Last Judgment scene faces it on the entrance
- and high churchmen. In the Bargello, or Palace of the Podesta (now a museum),
- Title: Short Bio of Hugo Goes
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- also to travel. In 1481 he suffered a mental breakdown (he had a tendency
- No paintings by Hugo are signed and his only securely documented work
- oil technique. There is a great variety of surface ornament and detail,
- that seems a fitting swansong for such a tormented personality.
- Title: Short Bio of Vincent Gogh (1853-90)
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- a mental illness that eventually resulted in suicide. Among his
- Title: Short Bio of Francisco Goya
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- development. As a tapestry designer, Goya did his first genre paintings, or
- In 1824, after the failure of an attempt to restore liberal government,
- Title: Short Bio of El Greco (1541-1614)
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- Domenikos Theotocopoulos; and it was thus that he signed his paintings
- In 1566 he is referred to in a Cretan document as a master painter;
- impact on his development was also important.
- Title: Short Bio of Jean-Baptiste Greuze
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- (Louvre, Paris) and went on to win enormous popularity with similar sentimental
- him acute embarrassment. Much of Greuze's later work consisted of titillating
- Title: Short Bio of Antoine-Jean Gros
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- Gros is regarded as one of the leading figures in the development of
- Title: Short Bio of Matthias Grünewald (his real name was Mathis Neithart, otherwise Gothart, 1470/80-1528)
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- Pinakothek, Munich), a colorful, vehemently expressive painting demonstrating
- blindfolded and being beaten by a band of grotesque men. The figures are
- High Renaissance. Elements of the work also show Grünewald's assimilation of
- color. It is these elements, already in evidence in this early work, that
- Title: Short Bio of Francesco Guardi
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- was not elected until 1784, during the presidency of his nephew Giandomenico
- Title: Short Bio of Velino Shije Herrera
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- of the "San Ildefonso movement" in the Rio Grande area that established
- Title: Short Bio of Nicholas Hilliard
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- he records that this was in agreement with Queen Elizabeth's taste for
- the lyne without shadows showeth all to good jugment, but the shadowe without
- Title: Short Bio of Ando Hiroshige (1797-1858)
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- such as young women and actors. During the next 15 years he won fame
- as a landscape artist, reaching a peak of success and achievement in
- at different times. His total output was immense, some 5400 prints in all.
- Title: Short Bio of Meindert Hobbema
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- in his native Amsterdam, where he was the friend and only documented pupil
- Title: Short Bio of David Hockney (1937- )
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- His phenomenal success has been based not only on the flair, wit, and
- Title: Short Bio of Katsushika Hokusai (1760-1849)
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- Group of Workmen Building a Boat.
- Title: Short Bio of Hans Holbein (1465?-1524)
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- provide a remarkable document of that colorful period. An old account of his
- Title: Short Bio of Johan Jongkind
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- while also stimulating the development of
- Title: Short Bio of Anselm Kiefer
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- symbols commenting on tragic aspects of German history and culture,
- Title: Short Bio of Ron Kitaj
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- has been one of the most prominent figures of the Pop art movement.
- Title: Short Bio of Paul Klee
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- combine satirical, grotesque, and surreal elements and reveal the influence
- Two Men Meet, Each Believing the Other to Be of Higher Rank.
- titles are characteristic of Klee and give his works an added dimension of
- group that contributed much to the development
- this blessed moment. Color and I are one. I am a painter."
- analyze the primary visual elements and the ways in which they could be
- Title: Short Bio of Nicolas Lancret (1690-1743)
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- of courtly amusements taking place in Arcadian settings, reflected the
- Title: Short Bio of Charles Le (1619-90)
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- decorative objects commissioned by the French government for three
- Title: Short Bio of Claude Lorrain (1600-1682)
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- century, the key period of its development, were artists of many
- Title: Short Bio of Kasimir Malevich (1878-1935)
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- as well as pictures combining the fragmentation of form of
- Suprematist movement,
- Title: Short Bio of Edouard Manet (1832-1883)
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- painting as the arrangement of paint areas on a canvas over and above
- Title: Short Bio of Andrea Mantegna (1431?-1506)
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- On the ceiling a painted dome opens onto a painted sky, with painted men and
- women looking down from above. Rooms creating this sort of illusion became
- Title: Short Bio of Franz Marc
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- and touching paintings of the Expressionist movement.
- Title: Short Bio of Simone Martini (circa 1280-1344)
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- three-dimensional space developed by the Sienese master Duccio di
- achievements of the Sienese school.
- Title: Short Bio of Henri Matisse (1869-1954)
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- The leader of the Fauvist movement around 1900,
- Mediterranean verve presides in the treatment.
- The art of our century has been dominated by two men: Henri Matisse and
- by temperament and it was Picasso who initially made the greater splash.
- He was a man of anxious temperament, just as Picasso, who saw him as his
- of painting: Picasso destroyed his fear of women in his art, while Matisse
- Title: Short Bio of Michelangelo (1475-1564)
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- poet who exerted an unparalleled influence on the development of
- Title: Short Bio of Jean-François Millet (1814-75)
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- artists, to whom he gave help and encouragement.
- of tonal values, but his draughtsmanship had a monumentality
- Title: Short Bio of Amedeo Modigliani
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- evident, especially in the treatment of the sitters faces: flat and
- arresting arrangement of curved lines and planes as well as a striking
- Title: Short Bio of Piet Mondrian
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- development. His reputation rests on about 250 abstract paintings dating from
- Title: Short Bio of Earl Moran
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- men's fashion illustrations. Moran studied in Chicago for two years before
- and comenced painting film stars along with his calendar work for Brown and
- Title: Short Bio of Berthe Morisot
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- development of her style. Unlike most of the other impressionists, who were
- then intensely engaged in optical experiments with color, Morisot and Manet
- carefully composed, brightly hued canvases are often studies of women,
- are generally considered the most important women painters of
- Title: Short Bio of Edvard Munch (1863-1944)
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- Norwegian painter and printmaker whose intense, evocative treatment of
- development of German
- Title: Short Bio of Pierre Patel (1605-1676)
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- Both men often featured Classical ruins in their paintings,
- Title: Short Bio of GeorgePetty
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- she soon spread to advertisments, calendars and film posters. Petty left
- Title: Short Bio of Piero (1420?-92)
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- accomplishments indicate that he received a good education. He probably
- By 1439 Piero was working with Domenico Veneziano on frescoes for the
- of their wedding. Another notable accomplishment of Piero's was a series of
- Title: Short Bio of Jackson Pollock (1912-56)
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- Abstract Expressionist movement.
- Title: Short Bio of Raphael
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- achievement of the Neoplatonic ideal of human grandeur.
- Title: Short Bio of Odilon Redon (1840-1916)
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- perverse delights, collects Redon's drawings, and with his mention in this
- movement.
- Title: Short Bio of Rembrandt (1606-69)
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- Rembrandt HARMENSZOON VAN RIJN (b. July 15, 1606, Leiden,
- Title: Short Bio of Pierre-Auguste Renoir (1841-1919)
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- movement. His early works were typically Impressionist
- mid-1880s, however, he had broken with the movement to apply a more
- particularly of women (e.g. ,
- statements of the Impressionist style. Like Monet, Renoir endured
- with duller coloring. After a period of experimentation with what
- (The Judgement of Paris; Hiroshima Museum of Art; 1913-14),
- lovely women -have instant appeal, and he communicated the joy he took
- Title: Short Bio of Auguste Rodin (1840-1917)
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- was commissioned to create a monument that became
- When Rodin was 76 years old he gave the French government the entire
- Title: Short Bio of Dante Rossetti
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- themes and with elements of mystical symbolism, were
- Rossetti sank into a morbid state, possibly induced by his disinterment
- Title: Short Bio of Henri Rousseau (1844-1910)
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- accepted early retirement in 1893 so he could devote himself to art.
- Title: Short Bio of Peter Rubens
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- painting, he fundamentally revitalized and redirected northern European
- to Spain that had a profound impact on the development of Spanish baroque
- This aggressively religious stance, along with his deep involvement in public
- Cathedral) with a characteristically baroque sense of movement and tactile
- A love of monumental forms and dynamic effects is most readily apparent in
- Rubens's phenomenal productivity was interrupted from time to time by
- Title: Short Bio of Donald Rust
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- He has illustrated books for Valkyrie Press, A.S. Barnes & Co., and World of Yesterday Publications; and has provided illustrations for Reader's Digest and other magazines. His artwork has also appeared on collector's plates, appointment books, wall calendars, porcelain mugs, playing cards and jigsaw puzzles.
- Rusty's ability to capture nature lies between fantasy and reality. Realism is his style, but he wants to take the collector's imagination one step further. He is an artist sensitive to nature and its surroundings. The beauty of his artistic documentation is distinctly his own. Rusty takes us not just to a creative visual, but to a place and a story.
- Title: Short Bio of Egon Schiele
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- themes and was briefly imprisoned for obscenity in 1912. His treatment of
- the nude figure suggests a lonely, tormented spirit haunted rather than
- Title: Short Bio of Georges Seurat (1859-1891)
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- neo-impressionist movement of the late 19th century, Georges Seurat is the
- monumental paintings, 60 smaller ones, drawings, and sketchbooks. He kept his
- Title: Short Bio of Joshua Shaw
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- to Philadelphia. A key figure in the development of landscape painting
- artist, the overall composition as well as the landscape elements are
- with Cattle, Shaw remains a critical figure in the development of
- touch with current artistic developments and aesthetic theories. Through
- Title: Short Bio of Dorothea Tanning
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- children's games and fantasies to experiments with different painting and,
- later, sculptural approaches although her involvement with symbolic and
- Title: Short Bio of James Tissot
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- of contemporary life, usually involving fashionable women. Following his
- alleged involvement in the turbulent events of the Paris Commune (1871)
- women's costumes: indeed, his work which has a fashion-plate elegance
- Title: Short Bio of Jesse Trevino
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- current project is a 40-foot, three-dimensional veladora, or candleholder,
- Title: Short Bio of Diego Velázquez (1599-1660)
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- canvas with a few broad, sure strokes. "His men and women seem to breathe,"
- development of art. Others who have been noticeably influenced by him are
- Title: Short Bio of Jim Warren
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- Some of Jim's favorite accomplishments:
- 1990: Painted "Earth...Love It or Lose It." This painting received critical acclaim, was featured on posters, magazines, billboards, t-shirts ect. and soon became the visual representation for the global environmental movement.
- 2000: My greatest accomplishment to date, and one that can not be matched, is the many letters and communications that I have recieved from people telling me that my art has inspired them or made their day a little brighter.
- Currently: Jim lives in Clearwater, FL with his wife, Cindy, daughter Drew (born in 1992) and his son, Art (born in 1994). Jim's stepdaughter, Rebecca (born in 1974) lives in California. Jim feels that maintaining a close family with a demanding career is one of his greatest accomplishments, and thanks his family for all their support and assistance. His entire family helps with his art business, doubling as Art Director, Assistant (his wife) and Models (his children).
- Title: Short Bio of Jean-Antoine Watteau (1684-1721)
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- scenes depict elaborately costumed ladies and gentlemen at play in fanciful
- Title: Short Bio of Benjamin West (1738-1820,)
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- influence on the development of historical painting in Britain. He was
- development of art in the United States through such young American painters
- another royal appointment West was made a charter member of the Royal
- developments in French
- Title: Short Bio of James Whistler (1834-1903)
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- why I insist on calling my works arrangements' and harmonies''.
- Arrangement in Grey and Black: Portrait of the Painter's Mother
- Title: Short Bio of Joseph Wright
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- the artistic treatment of industrial subjects. He was also the best
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