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• Title: List of Short, Artist Biographys
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  • Edouard Manet (b. Jan. 23, 1832, Paris, France--d. April 30, 1883, Paris)
  • Andrea Mantegna (1431?-1506)
• Title: Short Bio of Albrecht Altdorfer
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  • Altdorfer, Albrecht (c. 1480-1538). German painter and graphic artist
  • woodcuts and engravings. Mingled with these German impresions was a knowledge
  • of the art of Mantegna, perhaps through the mediation
• Title: Short Bio of Fra Angelico (c. 1400-55)
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  • commissions. He probably began his career as a manuscript
  • Many of the frescos are in the friars’ cells and were intended as aids
  • Vasari, who referred to Fra Giovanni as ‘a simple and most holy man',
• Title: Short Bio of Rolf Armstrong
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  • the ‘Flapper Girl’, and many of his paintings have a haughty,
• Title: Short Bio of Zacharie Astruc (1833-1907)
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  • Manet.
  • artists, describing Manet as ‘one of the greatest artistic
  • and was responsible for introducing him to Manet.
  • He wrote the introduction of the catalogue of the one-man
  • exhibition that Manet arranged in a pavilion outside the
  • Exposition Universelle of 1867. He appears seated beside Manet in
  • by Manet (1866; Kunsthalle, Bremen).
  • Astruc himself executed a bust of Manet and by the 1880s
• Title: Short Bio of Hendrick Avercamp (1585-1634)
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  • popularity and he sold his drawings, many of which are tinted with
  • carried on his style in an accomplished manner.
• Title: Short Bio of Hans Baldung
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  • Baldung Grien, Hans (1484/85-1545). German painter and graphic artist.
  • bring him closer in spirit to his other great German contemporary, Grünewald.
• Title: Short Bio of Federico Barocci (c. 1535-1612)
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  • (also a native of Urbino) in a highly individual and sensitive manner.
  • productive career; he was prolific as a draughtsman as well as a painter
  • the Mannerist tradition (his rather indefinite treatment of space, for
• Title: Short Bio of Jacopo Bassano (1553-1613)
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  • He treated biblical themes in the manner of rustic genre scenes, using
• Title: Short Bio of Frédéric Bazille (1841-70)
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  • with whom he painted out of doors at Fontainebleau and in Normandy.
• Title: Short Bio of Giovanni Bellini (1430?-1516)
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  • rigid style with a depth of religious feeling and gentle humanity. From the
  • is often reflected behind human figures in streaks of water that make
  • younger contemporary, the German painter
• Title: Short Bio of William Blake (1757-1827)
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  • Romanticism.
  • copy is worth many thousands of dollars.
  • credit. Blake was a poor businessman, and he preferred to work on subjects of
  • A follower of Emanuel Swedenborg, who offered a gentle and mystic
• Title: Short Bio of Hieronymus Bosch
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  • Bosch's pictures are dated, although the artist signed many of them.
• Title: Short Bio of Sandro Botticelli (Alessandro di Moriano Filipepi, 1444/5-1510)
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  • Medici family. He painted portraits of the family and many religious
  • of his paintings are those illustrating Greek and Roman legends. The best
• Title: Short Bio of Marie Bracquemond
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  • Manet,
  • his friendship with Manet and other
  • She was something of a recluse, and many of her finest works
• Title: Short Bio of Agnolo Bronzino
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  • Bronzino, Agnolo (Agnolo di Cosimo) (1503-72). Florentine Mannerist
  • It is the type of work that got Mannerism a bad name. Bronzino's skill
• Title: Short Bio of Ford Brown
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  • Work (Manchester City Art Gallery, 1852-63), shows his dedicated
  • craftsmanship and brilliant coloring, but is somewhat swamped by its social
  • later part of his career is a cycle of paintings (1878-93) in Manchester
  • man of prickly temperament; he opposed the Royal Academy and was a pioneer
  • of the one-man show.
• Title: Short Bio of Pieter Bruegel (about 1525-69)
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  • moved permanently to Brussels. He married van Aelst's daughter, Mayken, in
  • and fine detail. They also expose human weaknesses and follies. He was
• Title: Short Bio of Hans Burgkmair
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  • Burgkmair, Hans the Elder (1473-1531). German painter and designer
  • and Weisskunig, moralizing knightly romances. A certain clarity
• Title: Short Bio of Sir Burne-Jones (1833-1898)
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  • romanticized style; they are generally considered among the finest
  • tapestries. His windows can be seen in many English churches,
• Title: Short Bio of Alonso Cano (1601-67)
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  • Spanish sculptor, painter, architect, and draughtsman,
  • pictures, which are strongly lit in the manner of Zurbarán.
• Title: Short Bio of Michelangelo Caravaggio (1573-1610)
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  • of artists before him. They had idealized the human and religious experience.
• Title: Short Bio of Antoine Caron
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  • Caron, Antoine (c.1520-c.1600). French Mannerist painter.
  • works include historical and allegorical subjects in the manner of court
• Title: Short Bio of Carracci (1557-1602)
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  • in the movement against the prevailing Mannerist artificiality of Italian
  • clear draughtsmanship became a quality particularly associated with artists
  • Loves of the Gods, or, as Bellori described it, ‘human love governed
  • the age of Romanticism such elaborate preparatory
  • in the Grand Manner.
  • the Christ Crucified above Figures in Limbo (Sta Francesco Romana,
• Title: Short Bio of Mary Cassatt (1844-1926)
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  • The daughter of an affluent Pittsburgh businessman, whose French
  • Manet,
  • held in Paris at the beginning of that decade, her draughtsmanship
• Title: Short Bio of Paul Cézanne (1839-1906)
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  • works and ideas were influential in the aesthetic development of many
• Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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  • subjects and project an aura of humanity, intimacy, and honest domesticity.
• Title: Short Bio of William Chase
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  • and landscapes), and his work is represented in many American museums.
• Title: Short Bio of Théodore Chassériau (1819-56)
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  • Romantic color.
• Title: Short Bio of Giovanni Cima
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  • settings, in the manner of Giovanni Bellini. He
  • has been called ‘the poor man's Bellini', but because of his calm and weighty
• Title: Short Bio of Clouet
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  • A handful of portraits, however, including Man holding Petrarch's Works
• Title: Short Bio of Thomas Cole (1801-1848)
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  • Eng. — d. Feb. 11, 1848, Catskill, N.Y., U.S.), American Romantic
• Title: Short Bio of John Constable (1776-1837)
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  • landscape and the manner of
  • In England Constable had no real sucessor and the many imitators
  • Romantics
• Title: Short Bio of John Copley (1738-1815)
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  • models, and his talent as a draftsman and colorist produced pictures of
  • Copley used what became a frequent theme of 19th-century Romantic art, the
  • struggle of humans against nature.
• Title: Short Bio of Correggio (Antonio Allegri)
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  • Mantegna's
  • manner in many of his early paintings indicate that he may have studied
  • that master's work in Mantua, and he was influenced in these works also by
  • Mantegna's idea of a leafy trellis framing
  • conception — already used by Mantegna — of depicting a scene as though
• Title: Short Bio of Gustave Courbet (1819-77)
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  • Burial at Ornans in 1850. Both were quite unlike the romantic
• Title: Short Bio of Thomas Couture (1815-79)
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  • The Romans of the Decadence
• Title: Short Bio of Lucas Cranach (1472-1553)
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  • (1472-1553). German painter.
  • He takes his name from the small town of Kronach in South Germany, where
  • when he settled in Vienna and started working in the humanist circles
  • The finest example of this manner is perhaps the
  • glade of a German pine forest. It was painted in 1504, just before Cranach
• Title: Short Bio of Cuyp
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  • he also painted many other subjects. He was the son and probably the pupil
  • ascribed to him, but his oeuvre poses many problems. He often signed
• Title: Short Bio of Edward d'Ancona
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  • By 1960, d'Ancona had moved into the calendar art field. Instead of doing pin-ups and glamour images, however, he specialized in pictures on the theme of safety in which wholesorne policemen helped children across the street in suburban settings that came straight out of Norman Rockwell.
• Title: Short Bio of Edgar Degas (1834-1917)
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  • French artist, acknowledged as the master of drawing the human figure
  • in motion. Degas worked in many mediums, preferring pastel to all
• Title: Short Bio of Eugène Delacroix (1798-1863)
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  • Romantic
  • Romantic
  • A technique used in this work — many
• Title: Short Bio of Gustave Doré (1832-83)
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  • Romantic taste for the bizarre.
• Title: Short Bio of Dosso Dossi
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  • 1512 at Mantua (the name ‘Dosso’ probably comes from a place near Mantua — he
  • romantic pastoral vein of Giorgione and Titian.
• Title: Short Bio of Peter Driben
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  • as many as six or seven of his covers being published every month.
  • Driben turned, like many of his colleagues, to portrait and fine-art work,
• Title: Short Bio of Albrecht Dürer
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  • — Dürer, Four Books on Human Proportions, 1528
  • [Germany] — d. April 6, 1528, Nürnberg), painter and printmaker
  • generally regarded as the greatest German
  • German painter, printmaker, draughtsman and art
  • known work, one of his many self portraits, was made in 1484. Died in Nürnberg
• Title: Short Bio of Thomas Eakins
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  • of the 19th century and by many as the greatest his country has yet
• Title: Short Bio of Adam Elsheimer
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  • Elsheimer, Adam (1578-1610). German painter, etcher, and draughtsman,
  • and moved to Italy in 1598. In Venice he worked with his countryman Rottenhammer,
  • then settled in Rome in 1600. His early Mannerist style gave way to a more
  • direct manner in which he showed great sensitivity to effects of light;
  • and of so many other subjects.'
  • work of many other 17th-century artists.
• Title: Short Bio of Jan Eyck
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  • Eyck, Jan van (b. before 1395, Maaseik, Bishopric of Liège, Holy Roman
• Title: Short Bio of Henri Fantin-Latour (1836-1904)
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  • Manet,
  • (sometimes called Homage to Manet)
  • and others in Manet's studio. In spite of his associations with such
  • Romantic composers.
• Title: Short Bio of Master Flémalle (active 1406-44)
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  • of Flémalle. In spite of the many problems that still surround him,
• Title: Short Bio of Jean-Honoré Fragonard (1732-1806)
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  • Grand Manner
• Title: Short Bio of Art Frahm
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  • Many of his works were outstanding examples of the glamour genre. His perfectly coifed, daring decolletage dressed beauties glowed in the midst of romantic soft focus settings.
• Title: Short Bio of Lucian Freud
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  • German-born British painter.
• Title: Short Bio of Caspar Friedrich
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  • The German romantic painter
  • settled in Dresden, often traveling to other parts of Germany. Friedrich's
  • landscapes are based entirely on those of northern Germany and are beautiful
• Title: Short Bio of Henry Fuseli
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  • draughtsman, and writer on art, active mainly in England, where he was
  • one of the outstanding figures of the Romantic
  • the Goethe-museum, Frankfurt). An unforgettable image of a woman in the
  • out in many of his literary subjects, which formed a major part of his
  • who described Fuseli as ‘The only man that e'er I knew / who did not make
  • on Painting (1801) and a translation of Winckelmann's Reflections
• Title: Short Bio of Thomas Gainsborough
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  • in 1774 he moved permanently to London. Here he further developed the personal
  • long after he had left a country neighborhood. He produced many landscape
  • pictures of pastoral subjects (Peasant Girl Gathering Sticks, Manchester
  • He was in many ways the antithesis of Reynolds. Whereas Reynolds was
  • Reynolds praised ‘his manner of forming all the parts of a picture together',
• Title: Short Bio of (Jean-Louis-André-) Géricault (1791-1824)
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  • Romantic
  • art in France. Géricault was a fashionable dandy and an avid horseman
• Title: Short Bio of Domenico Ghirlandaio
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  • craftsman and good businessman and had one of the most prosperous workshops
  • the life and manners of his time (he often included portraits in his religious
  • works) that has made Ghirlandaio popular with many visitors to Florence.
  • But he also had considerable skill in the management of complex compositions
  • altarpieces. He also painted portraits, the finest of which is Old Man
• Title: Short Bio of Giotto (c. 1267-1337)
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  • Each fresco depicts an incident; the human and animal figures are realistic
  • He was married and left six children at his death. Unlike many of his fellow
  • artists, he saved his money and was accounted a rich man. He was on familiar
  • followed him. He had a grasp of human emotion and of what was significant in
  • human life. In concentrating on these essentials he created compelling
  • In him they find a direct approach to human experience that remains valid for
• Title: Short Bio of Francisco Goya
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  • Bayeu, sister of Saragossa artist Francisco Bayeu. The couple had many
  • The experience helped him become a keen observer of human behavior. He was
  • A serious illness in 1792 left Goya permanently deaf. Isolated from others
  • mankind. He evolved a bold, free new style close to caricature. In 1799 he
  • a series of etchings satirizing human folly and
  • to work until his death there on April 16, 1828. Today many of his best
• Title: Short Bio of Antoine-Jean Gros
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  • Romanticism; the color and drama of his work
• Title: Short Bio of Matthias Grünewald (his real name was Mathis Neithart, otherwise Gothart, 1470/80-1528)
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  • northern German
  • thick-bodied, soft, and fleshy, done in a manner suggestive of the Italian
  • idealism and humanism, however, are Grünewald's uses of figural distortion to
• Title: Short Bio of Francesco Guardi
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  • Francesco was enormously prolific and his work is in many public collections
• Title: Short Bio of Jean-Baptiste Guillaumin
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  • Jean-Baptiste Armand Guillaumin
  • Guillaumin, (Jean-Baptiste-) Armand (b. Feb. 16, 1841, Paris,
• Title: Short Bio of Jan Heem
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  • of painters and his many followers in Flanders and Holland included his
• Title: Short Bio of Nicholas Hilliard
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  • himself as a follower of Holbein's manner of limning.
  • a hand reaching from a cloud); yet this literary burden usually manages
  • from the Queen herself, many others of the great Elizabethans sat for him,
• Title: Short Bio of Ando Hiroshige (1797-1858)
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  • He maintained this high level of craftmanship in other travel series,
  • the demands of popularity. He died of cholera on October 12, 1858, in Edo.
• Title: Short Bio of David Hockney (1937- )
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  • British painter, draughtsman, printmaker, photographer, and designer.
• Title: Short Bio of Katsushika Hokusai (1760-1849)
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  • Hokusai entered the studio of his countryman Katsukawa Shunsho
  • perhaps as many as 30,000, that drew their inspiration
  • Hokusai manga (begun 1814) and the series of
• Title: Short Bio of Hans Holbein (1465?-1524)
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  • many scholars living in Basel at that time was the famous Dutch humanist
  • other books, including Martin Luther's German translation of the Bible. In
  • letter of introduction from Erasmus to the English statesman and author Sir
  • chiefly as a painter of portraits. His services were much in demand. The more
• Title: Short Bio of Wassily Kandinsky (1866-1944)
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  • piano with many strings. The artist is the hand that plays, touching
• Title: Short Bio of Anselm Kiefer
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  • (born 1945), German painter, born in Donaueschingen; 1966 left
  • to deal ironically with 20th-c. German history; developed array of visual
  • symbols commenting on tragic aspects of German history and culture,
  • rutted, somber German countryside; paintings of 1980s acquired physical
• Title: Short Bio of Ron Kitaj
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  • widely (he was a merchant seaman, then served in the US army) and his
• Title: Short Bio of Charles de La Fosse (1636-1716)
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  • Baroque manner of the 17th century, began to develop a lighter, more
• Title: Short Bio of Charles Le (1619-90)
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  • organize and carry out many vast projects, Le Brun personally created
  • the magnificence of the Grand Manner of Louis XIV and his influence in laying
  • the basis of academicism. Many of the leading French artists of the next
  • extremely prolific draughtsman.
• Title: Short Bio of Alphonse Legros (1837-1911)
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  • draftsman, he taught in London, revitalizing British drawing and
• Title: Short Bio of Claude Lorrain (1600-1682)
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  • Roman Campagna — a countryside haunted with remains and associations of
  • century, the key period of its development, were artists of many
• Title: Short Bio of Kasimir Malevich (1878-1935)
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  • manner, but by 1912 he was painting peasant subjects in a massive
• Title: Short Bio of Edouard Manet (1832-1883)
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  • Edouard Manet
  • Manet broke new ground in choosing subjects from the events and
• Title: Short Bio of Andrea Mantegna (1431?-1506)
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  • Andrea Mantegna
  • Mantegna, Andrea
  • (1431?-1506). An Italian painter and engraver, Mantegna
  • Mantegna was born about 1431 near Vicenza, Italy. When he was about 10
  • Mantegna's skill as an artist developed quickly, and at the age of 17 he set
  • Roman antiquities. Mantegna knew many of the scholars and antiquarians who
  • the revival of classical forms. In 1453 Mantegna married Nicolosia Bellini,
  • whom did work that shows Mantegna's influence.
  • Mantegna remained in Padua until 1459, when Ludovico Gonzaga persuaded him
  • to move to Mantua. He worked for the Gonzaga family for the rest of his life.
  • For them Mantegna created some of his greatest paintings. In one famous work,
  • that Mantegna started in
  • 1486 shows his interest in imperial Rome. Mantegna died in Mantua in 1506 and
• Title: Short Bio of Franz Marc
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  • Franz Marc was born on February 8, 1880, in Munich, Germany. He
  • he founded the almanac “Blaue Reiter” in 1911 and organized
  • exhibitions with this name. He was a principal member of the First German
• Title: Short Bio of Simone Martini (circa 1280-1344)
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  • expression, and serenity of mood. He painted many frescoes,
• Title: Short Bio of Henri Matisse (1869-1954)
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  • the elder of the two, but he was a slower and more methodical man
  • Matisse's artistic career was long and varied, covering many different
  • diagnosed as having duodenal cancer and was permanently confined to
  • He was a man of anxious temperament, just as Picasso, who saw him as his
  • only rival, was a man of peasant fears, well concealed. Both artists, in
  • brilliant man — but his art was a respite, a reprieve, a comfort to him.
  • inappropriate name for this gentlemanly intellectual: there was no wildness
• Title: Short Bio of Hans Memling (1430?-94)
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  • am Main, Germany. Memling, whose name is sometimes spelled Memlinc, first
  • many other Flemish masters, Memling painted with glowing colors and fine
  • craftsmanship. Unlike most artists, his style varied little throughout his
  • Many of Memling's well-known religious works were painted for the Hospital
• Title: Short Bio of Jean-François Millet (1814-75)
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  • The son of a small peasant farmer of Gréville in Normandy,
  • Normandy, however, impelled him to that concern with peasant life
  • of tonal values, but his draughtsmanship had a monumentality
• Title: Short Bio of Earl Moran
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  • many of his contempories Moran studied at the Chicago Art Institute, while
  • moving on to Manhattan where he enrolled at the Art Students League.
• Title: Short Bio of Gustave Moreau (1826-1898)
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  • Romanticism, but Moreau went far beyond
• Title: Short Bio of Berthe Morisot
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  • The first woman to join the circle of the French impressionist painters,
  • Edouard Manet, who became her
  • then intensely engaged in optical experiments with color, Morisot and Manet
  • naturalistic framework. Morisot, however, did encourage Manet to adopt the
• Title: Short Bio of Rowena Morrill
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  • was born into a mobile military family in 1944 and had the opportunity to travel widely as a child. She absorbed a diversity of cultures in such places as Japan, Italy and many parts of the United States, to which she nows attributes much of her inspiration.
• Title: Short Bio of Edvard Munch (1863-1944)
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  • development of German
• Title: Short Bio of Bartolomé Murillo (1617-82)
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  • (1617-82). An artist whose many religious paintings
  • and his natural, human portrayal of figures seems to show the influence of
  • several times. Many people like best the series he painted for the Charity
• Title: Short Bio of Pierre Patel (1605-1676)
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  • but worked in the manner of
  • (1648-1708), painted in his father's manner.
• Title: Short Bio of GeorgePetty
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  • based on Petty's wife, although like Vargas and many artist's after him, Petty
• Title: Short Bio of Jackson Pollock (1912-56)
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  • American painter, the commanding figure of the
  • During the 1930s he worked in the manner of the Regionalists, being
  • By the mid 1940s he was painting in a completely abstract manner,
  • a can; instead of using brushes he manipulated it with ‘sticks, trowels
  • This manner of Action painting had in common with Surrealist theories
• Title: Short Bio of Raphael
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  • achievement of the Neoplatonic ideal of human grandeur.
• Title: Short Bio of Odilon Redon (1840-1916)
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  • amoeboid creatures, insects, and plants with human heads and so on),
  • unknown to the public until the publication of J.K. Huysmans's celebrated
  • as a colorist that had lain dormant. Much of his early life had been
• Title: Short Bio of Rembrandt (1606-69)
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  • Neth. — d. Oct. 4, 1669, Amsterdam), Dutch painter, draftsman, and
• Title: Short Bio of Pierre-Auguste Renoir (1841-1919)
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  • and also learning the importance of good craftsmanship.
  • feathery brush-strokes characteristic of his Impressionist manner,
  • he called his ‘manière aigre’ (harsh or sour manner) in the mid 1880s,
• Title: Short Bio of Auguste Rodin (1840-1917)
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  • of humanity, and his works confront distress and moral weakness as well as
  • became his life companion and was the model for many of his works. That year
  • Man with a Broken Nose
  • Portrait of a Roman.
• Title: Short Bio of Dante Rossetti
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  • met William Holman Hunt and John Millais, with whom he launched the
  • Darthur inspired his art in the 1850s. His visions of Arthurian romance and
  • Romantic
  • Elizabeth Siddal, whom he married in 1860, was the subject of many fine
  • (1869) of the manuscript poems he had buried with his wife and by savage
• Title: Short Bio of Henri Rousseau (1844-1910)
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  • He tried to paint in the academic manner of such traditionalist artists as
• Title: Short Bio of Peter Rubens
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  • father, an ardently Calvinist Antwerp lawyer, fled in 1568 to Germany to
  • back to Antwerp, where Peter Paul was raised a Roman Catholic and received
  • years (1600-08) as court painter to the duke of Mantua, he assimilated the
  • of painting and drawing. A devout Roman Catholic, he imbued his many
  • in Roman Catholic dogma, Rubens avoided sterile repetition of academic forms
  • the turbulent drama of his earlier paintings but reflect a masterful command
• Title: Short Bio of Donald Rust
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  • Donald Rust was born in Erie, Pennsylvania in 1932. He began drawing and painting at a very early age and has never had the desire to be anything but a serious artist. His early work was directly influenced by his grandfather, Emil Rust, Gil Elvgren, Bob Toombs, and Norman Rockwell. However, he feels there has been no one single influence in his wildlife art and insists that all wildlife artists have affected his style.
  • For many years, Rusty's paintings concentrated on circus and portrait subjects; but recently, wildlife subjects have intrigued him more and more. His portraits include such prominent individuals as: Emmett Kelly Sr., Emmett Kelly Jr., Merle Evans (Ringling band leader), Norman Rockwell, and Molly Rockwell. In fact, D.L. Rust and Norman Rockwell used to correspond regularly and in one letter Rockwell emphasized that Rusty's artwork "is very good indeed."
  • Rust's paintings hang in the Ringling Museum of the Circus, Sarasota, Florida, the Norman Rockwell Museum, Philadelphia, Pennsylvania, and the National Portrait Gallery of the Smithsonian Institution, Washington D.C.
• Title: Short Bio of John Sargent (1856-1925)
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  • Manet.
• Title: Short Bio of Georges Seurat (1859-1891)
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  • Un dimanche après-midi à l'Ile de la Grande Jatte
  • Aman-Jean
  • Young Woman Holding a Powder Puff.
• Title: Short Bio of Joshua Shaw
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  • Like many of the compositions Shaw created in America, Landscape with
  • this particular view projects a sense of man's harmony with a world
  • Avon Valley Near Bath (c. 1815, Lyman Allyn Museum, New London, Conn.);
  • Perhaps Landscape with Cattle is a simplification of the Lyman Allyn
• Title: Short Bio of Paul Signac
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  • replaced by luminous, intense colors. Many of Signac's works are landscapes,
• Title: Short Bio of Alfred Sisley
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  • Manet.
  • the demands of the subject-matter. From his early admiration for Corot
• Title: Short Bio of Yves Tanguy (1900-55)
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  • Originally a merchant seaman, he was impelled to take up painting after
• Title: Short Bio of Dorothea Tanning
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  • cloth sculpture, is in the permanent collection of the Beaubourg Museum in
• Title: Short Bio of James Tissot
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  • long, one can see a footman in silk stockings brushing and shining the
  • For many years after his death Tissot was considered a grossly vulgar
• Title: Short Bio of Henri Toulouse-Lautrec (1864-1901)
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  • (1864-1901). Many immortal painters lived and
• Title: Short Bio of Joseph Turner (1775-1851)
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  • life was devoted to his art. Unlike many artists of his era, he was
  • early training had been as a topographic draftsman. With the years, however,
  • expression of his own romantic feelings.
  • his house. His housekeeper, after a search of many months, found him hiding
• Title: Short Bio of Diego Velázquez (1599-1660)
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  • bought many paintings — by
  • Velasquez was called the "noblest and most commanding man among the
  • Edouard Manet, and
• Title: Short Bio of Leonardo (c.1485-1532)
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  • Italy] — d. May 2, 1519, Cloux, Fr.), Italian painter, draftsman,
  • Renaissance humanist ideal. His
• Title: Short Bio of Jim Warren
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  • 2000: My greatest accomplishment to date, and one that can not be matched, is the many letters and communications that I have recieved from people telling me that my art has inspired them or made their day a little brighter.
  • Currently: Jim lives in Clearwater, FL with his wife, Cindy, daughter Drew (born in 1992) and his son, Art (born in 1994). Jim's stepdaughter, Rebecca (born in 1974) lives in California. Jim feels that maintaining a close family with a demanding career is one of his greatest accomplishments, and thanks his family for all their support and assistance. His entire family helps with his art business, doubling as Art Director, Assistant (his wife) and Models (his children).
• Title: Short Bio of John Waterhouse (1849-1917)
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  • Early in his career he painted Greek and Roman subjects, but in the
  • romantic style. In approach he was influenced by the Pre-Raphaelites,
  • (City Art Gallery, Manchester, 1896).
• Title: Short Bio of Jean-Antoine Watteau (1684-1721)
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  • is probably best known for his fetes galantes. These romantic and idealized
• Title: Short Bio of Benjamin West (1738-1820,)
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  • West abandoned the tradition of painting people in Greek and Roman dress, the
  • Agrippina Landing at Brundisium with the Ashes of Germanicus (1768);
  • romantic
• Title: Short Bio of James Whistler (1834-1903)
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  • Manet, and others.
  • Whistler's art is in many respects the opposite to his often aggressive
• Title: Short Bio of Joseph Wright
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  • the romanticism involved in its application to industry and