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Query was: light
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- Title: Short Bio of Pieter Aertsen (1508/09-1575)
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- (Butcher's Stall with the Flight into Egypt,
- Title: Short Bio of Albrecht Altdorfer
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- With its dazzling light effects, teeming figures, and brilliant colors,
- Title: Short Bio of Federico Barocci (c. 1535-1612)
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- example, and his delight in fluttering draperies), but in his directness
- Title: Short Bio of Jacopo Bassano (1553-1613)
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- search for novel effects of light, taking on something of the iridescent
- Title: Short Bio of Giovanni Bellini (1430?-1516)
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- beginning he was a painter of natural light. In his earliest pictures the sky
- painters. His ability to portray outdoor light was so skillful that the
- Title: Short Bio of Abraham Beyeren
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- than his fish pieces to demonstrate his ability to show the play of light
- Title: Short Bio of François Boucher (1703-1770)
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- Boucher's delicate, lighthearted depictions of classical divinities
- and well-dressed French shepherdesses delighted the public, who
- Title: Short Bio of Eugène Boudin (1824-1898)
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- 19th century and the brilliant light
- Title: Short Bio of Melchior Broederlam (active 1381-1409)
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- The Presentation and Flight into Egypt
- The Flight into Egypt,
- Title: Short Bio of Canaletto (Giovanni Antonio Canal)
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- by strong contrasts of light and shade and free handling, this phase of
- Title: Short Bio of Carracci (1557-1602)
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- and Poussin. The Flight into Egypt (Doria Gallery, Rome, c.1604)
- Title: Short Bio of Mary Cassatt (1844-1926)
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- by a certain lyrical effulgence and gentle, golden lighting, but by
- Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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- sharply with the heroic historical subjects and lighthearted rococo scenes
- mellow lighting, these works celebrate the beauty of their commonplace
- He rendered forms by means of light by using thick, layered brushstrokes and
- Title: Short Bio of Clouet
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- are overwhelmingly linear, however, Clouet's are subtly modelled in light
- Title: Short Bio of John Constable (1776-1837)
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- atmospheric effects of changing light in the open air, the movement of
- clouds across the sky, and his excited delight at these phenomena,
- 1821. To render the shifting flicker of light and weather he abandoned
- fine traditional finish, catching the sunlight in blobs of pure white
- picturesque, of a fine color, and de lights always in de right places;
- Title: Short Bio of John Copley (1738-1815)
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- use of rococo lightness and coloring he quickly adopted. He also made use of
- Title: Short Bio of Piero Cosimo
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- a spirit of low comedy about these delightful works, but in the so-called
- Title: Short Bio of Lucas Cranach (1472-1553)
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- Rest on the Flight into Egypt
- Title: Short Bio of Cuyp
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- use Rembrandtesque light and shadow effects.
- serenity and masterly handling of glowing light (usually Cuyp favored the
- Title: Short Bio of Adam Elsheimer
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- direct manner in which he showed great sensitivity to effects of light;
- to represent the constellations of the night sky accurately (The Flight
- (National Gallery, Dublin) made paintings of The Flight into Egypt
- Title: Short Bio of Jean-Honoré Fragonard (1732-1806)
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- already turning against Fragonard's lighthearted style. He tried
- Title: Short Bio of Caspar Friedrich
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- renderings of trees, hills, harbors, morning mists, and other light effects
- Title: Short Bio of Thomas Gainsborough
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- style he had evolved at Bath, working with light and rapid brush-strokes
- Title: Short Bio of Aert Gelder
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- untypical of Rembrandt, and his palette was in general lighter. One of
- Title: Short Bio of Gentile (c. 1370-1427)
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- where there is a night scene with three different light sources.
- Title: Short Bio of Luca Giordano
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- and light luminous colors of his work, Giordano presages such great 18th-century
- Title: Short Bio of Matthias Grünewald (his real name was Mathis Neithart, otherwise Gothart, 1470/80-1528)
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- his ability to create dazzling light effects. The painting depicts Christ
- areas of light and shadow (CHIAROSCURO), and unusually stark and iridescent
- Title: Short Bio of Pieter Hooch
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- Delft school, noted for his interior scenes and use of light.
- Title: Short Bio of Paul Klee
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- Louis Molliet in 1914. He was so overwhelmed by the intense light there that
- Title: Short Bio of Charles de La Fosse (1636-1716)
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- Baroque manner of the 17th century, began to develop a lighter, more
- (1675-80; Louvre, Paris), remarkable for their use of light and
- Title: Short Bio of Claude Lorrain (1600-1682)
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- of light, was particularly influential, not only during his lifetime
- Title: Short Bio of Jean-François Millet (1814-75)
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- Although towards the end of his life, when he started using a lighter
- Title: Short Bio of Earl Moran
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- His work can often be recognised by his heavy use of light and shadow.
- Title: Short Bio of Bartolomé Murillo (1617-82)
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- to have visited Madrid. In any case, after 1650 his use of color and light
- Title: Short Bio of Odilon Redon (1840-1916)
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- perverse delights, collects Redon's drawings, and with his mention in this
- Title: Short Bio of Pierre-Auguste Renoir (1841-1919)
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- snapshots of real life, full of sparkling colour and light. By the
- porcelain factory in Paris, gaining experience with the light,
- His predilection towards light-hearted themes was also influenced
- Title: Short Bio of Peter Rubens
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- Glowing color and light that flickers across limbs and draperies infuse
- Title: Short Bio of Georges Seurat (1859-1891)
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- Neo-Impressionism whose technique for portraying the play of light
- Title: Short Bio of Joshua Shaw
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- composition of slightly larger size, untitled (n.d., private collection,
- Title: Short Bio of Paul Signac
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- inspired by the bright sunlight of southern France. He also painted some
- Title: Short Bio of Joseph Turner (1775-1851)
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- factually what he saw, Turner translated scenes into a light-filled
- Title: Short Bio of Diego Velázquez (1599-1660)
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- Because of Velasquez great skill in merging color, light, space, rhythm
- Title: Short Bio of Joseph Wright
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- European painter of artificial light of his day.
- moonlight or candlelight combine the realism of the new machinery with
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