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• Title: List of Short, Artist Biographys
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  • Frédéric Bazille (1841-70)
  • William Blake (b. Nov. 28, 1757, London--d. Aug. 12, 1827, London)
  • Eugène Boudin (b. July 12, 1824, Honfleur, Fr.--d. Aug. 8, 1898, Deauville)
  • Adolphe-William Bouguereau (1825-1905)
  • Gustave Caillebotte
  • William Chase
  • Jean-Baptiste-Camille Corot (1796-1875)
  • Jean-Baptiste Guillaumin
  • Willem Heda
  • Nicholas Hilliard
  • Nicolas Largillière (baptized Oct. 10, 1656, Paris--d. March 20, 1746, Paris)
  • Jean-François Millet (1814-75)
  • Bartolomé Murillo (1617-82)
  • Camille Pissarro (b. July 10, 1830, St. Thomas, Danish West Indies--d. Nov. 13, 1903, Paris)
  • William Winstanley
• Title: Short Bio of Pieter Aertsen (1508/09-1575)
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  • A pioneer of still life and
• Title: Short Bio of Albrecht Altdorfer
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  • With its dazzling light effects, teeming figures, and brilliant colors,
  • architecture and his skill in handling intricate problems of perspective
• Title: Short Bio of Fra Angelico (c. 1400-55)
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  • illuminator, and his early paintings are strongly influenced by
  • Minerva, where his tombstone still exists. His most important pupil was
• Title: Short Bio of Balthasar Ast (1593/94-1657)
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  • Dutch still-life painter, the brother-in-law of
• Title: Short Bio of Zacharie Astruc (1833-1907)
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  • Bazille
  • (c. 1869; Collection Frédéric Bazille, Montpellier) and
• Title: Short Bio of Hans Baldung
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  • his brilliant color, expressive use of distortion, and taste for the gruesome
  • a large body of graphic work, particularly book illustrations. He was active
• Title: Short Bio of Federico Barocci (c. 1535-1612)
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  • And although Barocci constantly claimed to be ill, he had a long and
• Title: Short Bio of Jacopo Bassano (1553-1613)
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  • the Elder (c.1475-1539), was a village painter and Jacopo always retained
  • still-life element assumes greater importance than the ostensible religious
• Title: Short Bio of Frédéric Bazille (1841-70)
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  • Frédéric Bazille
  • Bazille, Frédéric
  • Bazille was killed in action during the Franco-Prussian War,
• Title: Short Bio of Giovanni Bellini (1430?-1516)
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  • which is still in the church of Santi Giovanni e Paolo in Venice, was painted
  • painters. His ability to portray outdoor light was so skillful that the
  • "He is very old, and still he is the best painter of them all."
• Title: Short Bio of Abraham Beyeren
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  • in his day but now considered one of the greatest of still-life painters.
• Title: Short Bio of William Blake (1757-1827)
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  • William Blake
  • a hindrance and not action." Thus William Blake — painter, engraver, and
  • poet — explained why his work was filled with religious visions rather than
  • William, the third of five children, went to school only long enough to learn
  • the books. The books sold slowly, for a few shillings each. Today a single
  • copperplate etchings to illustrate the Book of Job in the Old Testament.
• Title: Short Bio of Sandro Botticelli (Alessandro di Moriano Filipepi, 1444/5-1510)
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  • of his paintings are those illustrating Greek and Roman legends. The best
• Title: Short Bio of François Boucher (1703-1770)
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  • panels, tapestry designs, theater designs, and book illustrations. He
• Title: Short Bio of Eugène Boudin (1824-1898)
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  • (b. July 12, 1824, Honfleur, Fr.--d. Aug. 8, 1898, Deauville)
  • (b. July 12, 1824, Honfleur, Fr. — d. Aug. 8, 1898, Deauville)
  • 19th century and the brilliant light
• Title: Short Bio of Adolphe-William Bouguereau (1825-1905)
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  • Adolphe-William Bouguereau
  • — Adolphe-William Bouguereau, 1895
  • Adolphe-William Bouguereau
• Title: Short Bio of Dirk Bouts
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  • altarpiece for the church of S. Pierre (still in situ, 1464-67)
  • for the Hotel de Ville (Musees Royaux, Brussels, 1470-75).
• Title: Short Bio of Marie Bracquemond
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  • Caillebotte,
• Title: Short Bio of Agnolo Bronzino
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  • It is the type of work that got Mannerism a bad name. Bronzino's skill
• Title: Short Bio of Ford Brown
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  • craftsmanship and brilliant coloring, but is somewhat swamped by its social
  • idealism. In 1861 Brown was a founder member of William Morris's company,
• Title: Short Bio of Hans Burgkmair
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  • He was also employed to illustrate the Emperor's own writings, the Teuerdank
• Title: Short Bio of Sir Burne-Jones (1833-1898)
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  • (1833-1898), English painter, designer, and illustrator, born in
  • led by his Oxford friend the poet and artist William Morris. For
  • illustrated books of Morris's Kelmscott Press, notably Chaucer
• Title: Short Bio of Alexandre Cabanel (1823-89)
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  • titillating (but supposedly chaste) nudes at which he excelled.
• Title: Short Bio of Gustave Caillebotte
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  • Gustave Caillebotte
  • Gustave Caillebotte, b. Aug. 19, 1848, d. Feb. 21, 1894, was a French
  • works in a more realistic style than that of his friends. Caillebotte's most
  • Paris). Caillebotte's superb collection of impressionist paintings was left
• Title: Short Bio of Alonso Cano (1601-67)
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  • He was born and died in Granada, and worked there and in Seville and Madrid.
  • He studied painting in Seville with
• Title: Short Bio of Michelangelo Caravaggio (1573-1610)
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  • as an assistant to painters of lesser skill. About 1595 he began to sell his
• Title: Short Bio of Lewis; Caroll
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  • London), English illustrator and satirical artist, especially known
  • and his illustrations for
• Title: Short Bio of Carracci (1557-1602)
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  • illusionistic elements, it retains fundamentally the self-contained and
  • illusionism was still to come in the work of Cortona and Lanfranco, but
  • latter never worked in fresco, which was still regarded as the greatest
  • 1585-95, but near the end of his career he still produced remarkable paintings
  • Agostino's illegitimate son Antonio (1589?-1618) was the only
• Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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  • greatest of the 18th century, whose genre and still life subjects documented
  • He favored simple still lifes and unsentimental
  • on the basis of two early still lifes,
  • Chardin's technical skill gave his paintings an uncannily realistic texture.
• Title: Short Bio of William Chase
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  • William Merritt Chase
  • Chase, William Merritt (1849-1916). American painter. He settled
  • of more than 2000 paintings included still lifes, portraits, interiors,
• Title: Short Bio of Clouet
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  • Musée Condé, Chantilly) are attributed to him on fairly strong circumstantial
  • his career is still very obscure (they used the same nickname, ‘Janet',
• Title: Short Bio of Thomas Cole (1801-1848)
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  • Eng. — d. Feb. 11, 1848, Catskill, N.Y., U.S.), American Romantic
• Title: Short Bio of John Constable (1776-1837)
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  • Just as his contemporary William Wordsworth rejected what he called the
  • escaping from mill dams, willows, old rotten planks, slimy posts and
• Title: Short Bio of Jean-Baptiste-Camille Corot (1796-1875)
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  • Jean-Baptiste-Camille Corot
  • Corot, Jean-Baptiste-Camille
• Title: Short Bio of Correggio (Antonio Allegri)
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  • illusionist
  • larger scale and with still more daring foreshortening. These works reveal
• Title: Short Bio of Piero Cosimo
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  • finest of which is that of Simonetta Vespucci (Musée Condé, Chantilly),
  • religious works are somewhat more conventional, although still distinctive,
• Title: Short Bio of Jasper Cropsey
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  • Jasper Cropsey was born on his father's farm in Rossville, Staten
  • His artistic skills improved rapidly as Jasper mimicked whatever paintings,
  • skills. Jasper took advantage of Trench's encouragement and sketched
• Title: Short Bio of Cuyp
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  • rediscovering his merits, and he is still much better represented in English
• Title: Short Bio of Edward d'Ancona
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  • The first company to publish d'Ancona pin-ups, about 1935 to 1937, was Louis F. Dow in St Paul. d'Ancona worked in oil on canvas and his originals from that time usually measured about 30 x 22 inches. His early work is comparable in quality to that of the young Gil Elvgren, who had begun to work for Dow in 1937. Because d'Ancona produced so much work for Dow, one might assume that he was born in Minnesota and lived and worked in the St Paul, Minneapolis area. It is known that he supplied illustrations to the Goes Company in Cincinnati and to several soft-drink firms, which capitalized on his works similarity to the Sundblom/Elvgren style, which was so identified with Coca-Cola. During the 1940s and 1950s, d'Ancona's superb use of primary colors, masterful brushstrokes, and painterly style elevated him to the ranks of the very best artist in pin-up and glamour art. His subject matter at this time resembled Elvgren's. Both enjoyed painting nudes and both employed situation poses a great deal. d'Ancona also painted a fair amount of evening-gown scenes, as did Elvgren, Frahm, and Erbit.
• Title: Short Bio of Gerard David
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  • still maintained its prestige as a center of art and David played an
• Title: Short Bio of Eugène Delacroix (1798-1863)
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  • pictured an incident in which 20,000 Greeks were killed by Turks on the
• Title: Short Bio of Billy DeVorss
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  • Billy DeVorss
  • William Albartus DeVorss, (1908- ), more commonly known
  • as Billy DeVorss, was born in St. Joseph, Missouri in 1908. He graduated
  • his use of colour that make Billy DeVorss's work stand out. He worked almost
• Title: Short Bio of Gustave Doré (1832-83)
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  • The most popular and successful French book illustrator of the mid 19th
  • century. Doré became very widely known for his illustrations to such books
  • illustrated book of large . He was so prolific that at one time
• Title: Short Bio of Gil Elvgren
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  • Gillette A. Elvgren (1914-1980), was born on the 15th March
• Title: Short Bio of Henri Fantin-Latour (1836-1904)
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  • imaginative lithographs illustrating his music and that of other
• Title: Short Bio of Master Flémalle (active 1406-44)
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  • While there is still doubt about the Master of Flémalle's identity,
  • This still has the decorative gold background of medieval tradition,
  • of Flémalle. In spite of the many problems that still surround him,
• Title: Short Bio of Jean-Honoré Fragonard (1732-1806)
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  • and responded with especial sensitivity to the gardens of the Villa d'Este
• Title: Short Bio of Art Frahm
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  • Frahm, whose commercial art ranged from magazine cover illustration to zany "hobo" calendar paintings, excelled in (and perhaps created) the "ladies in distress" series for the Joseph C. Hoover & Sons calendar company, in which a lovely girl is literally caught with her panties down, her lacy undies slipping to her ankles while she's in the process of bowling, walking the dog or changing a tire.
• Title: Short Bio of Caspar Friedrich
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  • renderings of trees, hills, harbors, morning mists, and other light effects
• Title: Short Bio of Pearl Frush
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  • Gulf Coast of Mississippi when she was still a child. She enrolled in art
• Title: Short Bio of Thomas Gainsborough
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  • Fitzwilliam, Cambridge). His patrons were the merchants of the town and
  • great passion outside painting being music (his friend William Jackson
  • Fourteenth Discourse. Recognizing the fluid brilliance of his brushwork,
• Title: Short Bio of Jean-Léon Gérôme
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  • for example, the acceptance by the state of the Caillebotte
• Title: Short Bio of Domenico Ghirlandaio
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  • was the fresco cycle in the choir of Sta Maria Novella, Florence, illustrating
  • But he also had considerable skill in the management of complex compositions
• Title: Short Bio of Giotto (c. 1267-1337)
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  • the village of Vespignano, near Florence. His father was a small landed
  • fresh, still wet plaster) on the life of St. Francis in the church at Assisi.
  • frescoes in the Arena Chapel in Padua. The frescoes illustrate the lives of
  • possessed was infinitely greater than the technical skill of the artists who
• Title: Short Bio of Hugo Goes
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  • An account of his illness by Gaspar Ofhuys, a monk at the priory, survives;
  • convincing sense of spatial depth. As remarkable as Hugo's skill in reconciling
• Title: Short Bio of Vincent Gogh (1853-90)
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  • Gogh, Vincent (Willem) van (b. March 30, 1853, Zundert, Neth. — d. July
  • a mental illness that eventually resulted in suicide. Among his
• Title: Short Bio of Francisco Goya
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  • Fuendetodos, a village in northern Spain. The family later moved to
  • A serious illness in 1792 left Goya permanently deaf. Isolated from others
• Title: Short Bio of Jean-Baptiste Greuze
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  • him acute embarrassment. Much of Greuze's later work consisted of titillating
  • his career he received a commission to paint a portrait of Napoleon (Versailles,
• Title: Short Bio of Antoine-Jean Gros
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  • lies, but they are painted with such dramatic skill and panache that they
• Title: Short Bio of Francesco Guardi
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  • still working for other artists when he was over 40, he never attracted
  • divided as to whether these brilliant works, painted with brushwork of
• Title: Short Bio of Jean-Baptiste Guillaumin
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  • Jean-Baptiste Armand Guillaumin
  • Guillaumin, (Jean-Baptiste-) Armand (b. Feb. 16, 1841, Paris,
• Title: Short Bio of Willem Heda
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  • Willem Claesz. Heda
  • Heda, Willem Claesz. (1593/94-1680/82). Dutch still-life painter,
• Title: Short Bio of Jan Heem
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  • Heem, Jan Davidsz. de (1606-83/84). Dutch still-life painter. He
  • that he had studied the restrained and simple works of the Haarlem still-life
  • painting. His work formed a link between the Dutch and Flemish still-life
• Title: Short Bio of Nicholas Hilliard
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  • Nicholas Hilliard
  • Hilliard, Nicholas (1547-1619). The most celebrated of English
  • and dominated the limning of their era. Hilliard's reputation extended
  • (written in about 1600 but not published until 1912) Hilliard declared
  • reduced to a small scale, Hilliard developed in the miniature an intimacy
  • spite of his success, Hilliard had considerable financial problems and
• Title: Short Bio of Meindert Hobbema
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  • water-mills and trees around a pool — over and over again. In 1668 he became
• Title: Short Bio of David Hockney (1937- )
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  • After a brilliant prize-winning career as a student at the
• Title: Short Bio of Katsushika Hokusai (1760-1849)
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  • a vast number of book illustrations and color prints,
• Title: Short Bio of Hans Holbein (1465?-1524)
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  • Erasmus, who befriended the young artist and asked him to illustrate his
  • (The Praise of Folly). Holbein also illustrated
• Title: Short Bio of Wassily Kandinsky (1866-1944)
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  • 1944, Neuilly-sur-Seine, Fr.), Russian-born artist, one of the first
• Title: Short Bio of Ken Kelly
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  • illustrations that transport the viewer to exotic, enchanted locales and
• Title: Short Bio of Paul Klee
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  • killed him. The late works, characterized by heavy black lines, are often
  • Still Life (1940; Felix
• Title: Short Bio of Gustav Klimt (1862-1918)
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  • The work of the Austrian painter and illustrator
• Title: Short Bio of Charles de La Fosse (1636-1716)
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  • of Versailles and the
• Title: Short Bio of Nicolas Lancret (1690-1743)
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  • genre painter whose brilliant depictions of fêtes galantes, or scenes
• Title: Short Bio of Nicolas Largillière (1656-1746)
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  • Nicolas Largillière
  • for the Flemish masters, Largillière came to be looked upon as a
• Title: Short Bio of Charles Le (1619-90)
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  • illustrated treatise
  • (1679-84) and the Great Staircase (1671-78, destroyed in 1752) at Versailles.
• Title: Short Bio of Earl MacPherson
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  • time MacPherson also wrote and illustrated one of the best selling Waiter
• Title: Short Bio of Andrea Mantegna (1431?-1506)
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  • viewer the illusion of looking up from below. The effect is somewhat the same
  • Mantegna's skill as an artist developed quickly, and at the age of 17 he set
  • women looking down from above. Rooms creating this sort of illusion became
• Title: Short Bio of Franz Marc
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  • Tragically, Marc was killed in World War I at the age of
• Title: Short Bio of Simone Martini (circa 1280-1344)
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  • greatest frescoes, illustrating scenes from the life of St. Martin for
• Title: Short Bio of Henri Matisse (1869-1954)
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  • so that it will grow better.''
  • brilliant man — but his art was a respite, a reprieve, a comfort to him.
• Title: Short Bio of Alphonse Maureau
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  • Alphonse Maureau shows some skillfull studies from nature done on small scale.
  • still inexperienced, but whose vision is sane and who has a fine sense of the
• Title: Short Bio of Jean-François Millet (1814-75)
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  • Jean-François Millet
  • The son of a small peasant farmer of Gréville in Normandy,
  • Millet showed a precocious interest in drawing, and arrived
  • In 1849, when a cholera epidemic broke out in Paris, Millet moved
  • implications. Millet's career was greatly helped by Durand-Ruel.
• Title: Short Bio of Amedeo Modigliani
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  • gifts. Modigliani had to struggle against poverty and chronic ill health,
• Title: Short Bio of Earl Moran
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  • men's fashion illustrations. Moran studied in Chicago for two years before
  • in photography and illustration. In 1932 he signed an exclusive contract
• Title: Short Bio of Berthe Morisot
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  • them her life's work. Having studied for a time under Camille Corot, she
  • Bill Biggs,
• Title: Short Bio of Rowena Morrill
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  • Rowena Morrill
  • Morrill, Rowena
  • Since 1975 she has lived and worked in New York and has become a celebrity to science fiction fans, artists and art students. Aside from illustrating book covers for more than a dozen publishers in both the United States and Europe, she has participated in gallery and museum exhibitions throughout the country, and her work is found in important private and museum collections worldwide.
  • Rowena Morrill is unquestionably the most significant female fantasy painter in the world today.
• Title: Short Bio of Bartolomé Murillo (1617-82)
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  • Bartolomé Murillo
  • Murillo, Bartolome
  • emphasized the peaceful, joyous aspects of spiritual life, Bartolome Murillo
  • addition to the enormous popularity of his works in his native Seville,
  • Murillo was much admired in other countries, particularly England. Here his
  • Murillo was born in 1617 in Seville. His parents died when he was a child,
  • and he went to live with a local artist, Juan del Castillo. As might be
  • expected, Murillo's early works show Castillo's influence. Under him Murillo
  • At some point in his life, probably in the late 1640s, Murillo is believed
  • In Madrid, Murillo would also have seen paintings by the
  • Flemish and Venetian masters, and the work he did in Seville between 1650 and
  • his death seems to show these influences, too. Because Murillo did not put a
  • Among the pictures painted when Murillo was a youth are several
  • affectionate studies of the ragged boys and the flower girls of Seville. His
  • coloring, great technical skill, and pious intensity. One striking
  • characteristic of these works is the illuminated mist, populated with angels
  • are extremely lifelike. In 1660 Murillo helped found a public academy of art
  • in Seville and served as its first president.
  • In 1681 Murillo was in Cadiz, painting the
  • death on April 3, 1682, apparently resulted from his injuries. Murillo was
  • Maximum number of matches per file exceeded.
• Title: Short Bio of GeorgePetty
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  • and most respected of the pin-up artists. Petty was born in Abbeville,
• Title: Short Bio of Piero (1420?-92)
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  • studied painting with one of several skilled artists of the Sienese school
  • Piero was skilled in perspective, and his paintings are also known for the
• Title: Short Bio of Ludovic Piette (1826-77)
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  • at work, which later belonged to Camille, the painter's son;
• Title: Short Bio of Camille Pissarro (1830-1903)
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  • Camille Pissarro
• Title: Short Bio of Odilon Redon (1840-1916)
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  • a serious illness in 1894-95, he was transformed into a much more buoyant
  • by the end of his life, although still a very private person.
• Title: Short Bio of Pierre-Auguste Renoir (1841-1919)
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  • Bazille.
  • spot called La Grenouillère done in 1869 (an example by Renoir is in
  • Maillol)
• Title: Short Bio of Auguste Rodin (1840-1917)
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  • occupy the Hotel Biron in Paris as the Musee Rodin and are still placed as
• Title: Short Bio of Dante Rossetti
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  • met William Holman Hunt and John Millais, with whom he launched the
  • Ecce Ancilla Domini (1850), both in the Tate Gallery,
  • medieval design also inspired his new friends of this time, William Morris
• Title: Short Bio of Henri Rousseau (1844-1910)
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  • his experiences in Mexico, but in fact his sources were illustrated books
• Title: Short Bio of Peter Rubens
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  • of detail and an unflagging technical skill. Despite recurring attacks of
• Title: Short Bio of Donald Rust
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  • He has illustrated books for Valkyrie Press, A.S. Barnes & Co., and World of Yesterday Publications; and has provided illustrations for Reader's Digest and other magazines. His artwork has also appeared on collector's plates, appointment books, wall calendars, porcelain mugs, playing cards and jigsaw puzzles.
• Title: Short Bio of Egon Schiele
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  • fulfilled by sexuality. At first strongly influenced by Klimt, whom he met
• Title: Short Bio of Georges Seurat (1859-1891)
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  • Pointillism. Using this techique, he created huge compositions with
  • brilliance. Works in this style include
  • alone establish Seurat as a great master, but he will be remembered for his
  • technique called pointillism, or divisionism, which uses small dots or
• Title: Short Bio of Joshua Shaw
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  • Louisville, Kentucky), and a related but smaller view of the same site,
• Title: Short Bio of Paul Signac
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  • in creating pointillism (or divisionism).
  • name pointillism. As Signac explained, they used the pure impressionist
• Title: Short Bio of Alfred Sisley
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  • Bazille.
  • He spent some time painting in Fontainebleau, at Chailly with Monet,
  • Bazille and Renoir, and later at Marlotte with Renoir. His style
  • shows the way in which his dominent and evident lyricism still respects
• Title: Short Bio of Dorothea Tanning
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  • American painter Dorothea Tanning, b. Galesburg, Ill., Aug. 25, 1910,
• Title: Short Bio of James Tissot
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  • Land in 1886-87 and in 1889, and his illustrations to the events of the
• Title: Short Bio of Jesse Trevino
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  • that will be dedicated to the victims of the September 11 terrorist
• Title: Short Bio of Jean-François Troy (1679-1752)
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  • Chantilly, Fr.).
• Title: Short Bio of Joseph Turner (1775-1851)
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  • Turner, John Mallord William
  • Turner, whose work was exhibited when he was still a teenager. His entire
  • Joseph Mallord William Turner was born in London, England, on April 23,
  • factually what he saw, Turner translated scenes into a light-filled
  • travel but always alone. He still held exhibitions, but he usually refused to
  • in a house in Chelsea. He had been ill for a long time. He died the following
• Title: Short Bio of Diego Velázquez (1599-1660)
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  • Diego Rodriguez de Silva Velasquez was born in Seville, Spain, presumably
  • Because of Velasquez’ great skill in merging color, light, space, rhythm
  • Bartolomé Murillo,
  • Camille Corot,
  • James McNeill Whistler.
• Title: Short Bio of Jim Warren
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  • 1978: Commissioned by jazz greats Billy Cobham and George Duke to paint first album cover.
  • 1990: Painted "Earth...Love It or Lose It." This painting received critical acclaim, was featured on posters, magazines, billboards, t-shirts ect. and soon became the visual representation for the global environmental movement.
• Title: Short Bio of John Waterhouse (1849-1917)
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  • Waterhouse, John William
• Title: Short Bio of Jean-Antoine Watteau (1684-1721)
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  • began studying with Claude Gillot. Gillot, who designed and executed scenery
• Title: Short Bio of Benjamin West (1738-1820,)
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  • as Gilbert Stuart, Charles Willson Peale, and
• Title: Short Bio of James Whistler (1834-1903)
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  • Whistler, James Abbott McNeill
• Title: Short Bio of William Winstanley
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  • William Winstanley
  • William Winstanley was an English-born American painter, specializing