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- Title: Short Bio of Fra Angelico (c. 1400-55)
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- (Ruskin), Angelico was in fact a highly professional artist, who
- Title: Short Bio of Hans Baldung
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- where he worked on his masterpiece, the high altar for Freiburg Cathedral,
- Title: Short Bio of Federico Barocci (c. 1535-1612)
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- (also a native of Urbino) in a highly individual and sensitive manner.
- Title: Short Bio of Dirk Bouts
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- Apart from these, there are no documented works, but his style is highly
- any model. His style was highly influential and was continued by his two
- Title: Short Bio of Sir Burne-Jones (1833-1898)
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- the purity of form, stylization, and high moral tone of medieval
- Title: Short Bio of Gustave Caillebotte
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- boulevards were painted from high vantage points and were populated with
- Title: Short Bio of Canaletto (Giovanni Antonio Canal)
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- topographically accurate, set in a higher key, and with smoother, more
- Title: Short Bio of Carracci (1557-1602)
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- unambiguous character of High Renaissance decoration,
- and highly personal. Painterly and expressive considerations always outweigh
- Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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- fail. Unappreciated at the time, these pastels are now highly valued.
- Title: Short Bio of William Chase
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- Demuth, O'Keefe, and Sheeler. Chase was a highly prolific artist (his output
- Title: Short Bio of Clouet
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- and often of very high quality. They have often been compared to those
- Title: Short Bio of John Constable (1776-1837)
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- these even more highly than the finished works because of their freedom
- Title: Short Bio of Correggio (Antonio Allegri)
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- High Renaissance
- and they were highly influential on the development of
- Title: Short Bio of Piero Cosimo
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- as a highly eccentric character who lived on hard-boiled eggs, which he
- Title: Short Bio of Gustave Doré (1832-83)
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- a rather naïve but highly spirited love of the
- Title: Short Bio of Robert Feke
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- clarity of design and delicacy of touch five them a high place among
- Title: Short Bio of Jean-Honoré Fragonard (1732-1806)
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- Title: Short Bio of Henry Fuseli
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- he exhibited highly imaginative works such as The Nightmare (Detroit
- Title: Short Bio of Jean-Léon Gérôme
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- a pupil of Paul Delaroche and inherited his highly finished academic style.
- Title: Short Bio of Domenico Ghirlandaio
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- and a certain grandeur of conception that sometimes hints at the High Renaissance.
- Title: Short Bio of Giotto (c. 1267-1337)
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- and high churchmen. In the Bargello, or Palace of the Podesta (now a museum),
- Title: Short Bio of Nuño Gonçalves
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- of highly individualized portraits of members of the court, including a
- Title: Short Bio of Jean-Baptiste Greuze
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- in paint', and as representing the highest ideal of painting in his day.
- Title: Short Bio of Matthias Grünewald (his real name was Mathis Neithart, otherwise Gothart, 1470/80-1528)
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- High Renaissance. Elements of the work also show Grünewald's assimilation of
- Dürer, specifically his Apocalypse series. Different from High Renaissance
- portray violence and tragedy, thin fluttering drapery, highly contrasting
- Title: Short Bio of Willem Heda
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- but Heda's work was usually more highly finished and his taste was more
- Title: Short Bio of Ando Hiroshige (1797-1858)
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- (scenes on the highway connecting Edo and Kyoto), was published.
- He maintained this high level of craftmanship in other travel series,
- Sixty-nine Stations on the Kiso Highway.
- Title: Short Bio of Wassily Kandinsky (1866-1944)
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- in a highly theoretical way associating tone with timbre (the sound's
- Title: Short Bio of Paul Klee
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- Two Men Meet, Each Believing the Other to Be of Higher Rank.
- Title: Short Bio of Gustav Klimt (1862-1918)
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- embodies the high-keyed erotic, psychological, and aesthetic
- Title: Short Bio of Nicolas Largillière (1656-1746)
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- modern course. Highly honoured in his lifetime, he was made chancellor
- Title: Short Bio of Michelangelo (1475-1564)
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- Title: Short Bio of Gustave Moreau (1826-1898)
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- him in his feeling for the bizarre and developed a style that is highly
- Title: Short Bio of Berthe Morisot
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- impressionists high-keyed palette and to abandon the use of black. Her own
- Title: Short Bio of GeorgePetty
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- in his father's photography studio. After graduating from high school Petty
- Title: Short Bio of Raphael
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- The High Renaissance
- painter and architect of the Italian High
- Title: Short Bio of Odilon Redon (1840-1916)
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- developed a highly distinctive repertoire of weird subjects (strange
- Title: Short Bio of Yves Tanguy (1900-55)
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- but his imagery is highly distinctive, featuring half marine and half
- Title: Short Bio of Diego Velázquez (1599-1660)
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- supreme artists of all time. A master of technique, highly individual in
- the first painter of common things than second in higher art." He learned
- Title: Short Bio of Leonardo (c.1485-1532)
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- Title: Short Bio of Jim Warren
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- Beginnings: Started painting at age 1, like all children. Went through the usual string of career choices such as: artist, magician, artist, rock star, artist etc. I officially decided in high school in 1967 that an artist, a "Rich and Famous" one at that, was what I was going to be!
- Art Training: "I'm basically self taught. I learned some basics in my high school art class. At college I attended several life-drawing classes, and always studied the great masters at museums."
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