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- Title: Short Bio of Albrecht Altdorfer
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- formed part of a large series of famous battle-pieces from Classical antiquity.
- Title: Short Bio of Altichiero (active 1372-84)
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- intricacy, while his naturalism in the study of plants and animals formed
- Title: Short Bio of Giovanni Bellini (1430?-1516)
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- new wealth of subject matter, and a new sensuousness in form and color.
- Title: Short Bio of Abraham Beyeren
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- on varied surfaces and organize forms and colors into an opulently blended
- Title: Short Bio of Eugène Boudin (1824-1898)
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- His numerous beach scenes form a
- Title: Short Bio of Hans Burgkmair
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- he transformed his late Gothic heritage with
- Title: Short Bio of Sir Burne-Jones (1833-1898)
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- the purity of form, stylization, and high moral tone of medieval
- Title: Short Bio of Canaletto (Giovanni Antonio Canal)
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- which ultimately formed an important part of his work.
- Title: Short Bio of Antoine Caron
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- He had a penchant for gaudy colors and bizarre architectural forms. Some
- Title: Short Bio of Carracci (1557-1602)
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- much to admire and praise in his work. Annibale's art also had a less formal
- the form) and in his early genre paintings, which are remarkable for their
- Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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- (1733, former State Museums, Berlin),
- He rendered forms by means of light by using thick, layered brushstrokes and
- Title: Short Bio of John Constable (1776-1837)
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- turned rather to the formal compositions than to the more direct
- Title: Short Bio of Correggio (Antonio Allegri)
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- have formed his style. Echoes of
- Title: Short Bio of Thomas Couture (1815-79)
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- false in overall effect. His more informal works, however, are often much
- Title: Short Bio of Cuyp
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- Cuyp had several imitators there, and some of the paintings formerly attributed
- Title: Short Bio of Stuart Davis (1894-1964)
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- Using natural forms, particularly forms suggesting the characteristic
- Title: Short Bio of Eugène Delacroix (1798-1863)
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- unblended colors forming what at a distance looks like a unified whole would
- Title: Short Bio of Albrecht Dürer
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- I hold that the perfection of form and beauty is contained in the sum
- Title: Short Bio of Gil Elvgren
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- However Elvgren soon branched out into other forms of commercial art, amongst
- Title: Short Bio of Master Flémalle (active 1406-44)
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- head forms a substitute for a halo).
- Title: Short Bio of Jean-Honoré Fragonard (1732-1806)
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- but formed a particular admiration for
- Title: Short Bio of Lucian Freud
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- a formidable reputation as one of the most powerful contemporary figurative
- Title: Short Bio of Caspar Friedrich
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- the Reformation and the transitoriness of earthly things.
- Title: Short Bio of Henry Fuseli
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- out in many of his literary subjects, which formed a major part of his
- Title: Short Bio of Thomas Gainsborough
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- Reynolds praised his manner of forming all the parts of a picture together',
- Title: Short Bio of Vincent Gogh (1853-90)
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- striking colour, coarse brushwork, and contoured forms the anguish of
- Title: Short Bio of Jan Heem
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- painting. His work formed a link between the Dutch and Flemish still-life
- Title: Short Bio of Nicholas Hilliard
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- as the leading miniaturist in the country was challenged by his former
- Title: Short Bio of Hans Holbein (1465?-1524)
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- About 1525 the factional strife that accompanied the Reformation made
- Holbein also found time to perform numerous services for Henry. He
- Title: Short Bio of Johan Jongkind
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- informal landscapes continued the tradition of the Dutch landscapists
- Title: Short Bio of Wassily Kandinsky (1866-1944)
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- painting. His forms evolved from fluid and organic to geometric and,
- Title: Short Bio of Charles Le (1619-90)
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- of artistic correctness and, formulated on the basis of the
- Title: Short Bio of Claude Lorrain (1600-1682)
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- ideal-landscape painting, an art form that seeks to present a view of
- nationalities congregated in Rome. Later, the form spread to other
- Title: Short Bio of Kasimir Malevich (1878-1935)
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- as well as pictures combining the fragmentation of form of
- Title: Short Bio of Edouard Manet (1832-1883)
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- young painters who later formed the nucleus of the Impressionists. His
- Title: Short Bio of Andrea Mantegna (1431?-1506)
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- the revival of classical forms. In 1453 Mantegna married Nicolosia Bellini,
- ceiling of a small interior room, transforming it into an open-air pavilion.
- Title: Short Bio of Jean-François Millet (1814-75)
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- he presented this reality in an acceptable form, with a religious
- Title: Short Bio of Amedeo Modigliani
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- by strong linear rhythms, simple elongated forms, and verticality.
- Title: Short Bio of Piet Mondrian
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- worked and reworked, built layer by layer toward an equilibrium of form,
- Dutch phrase nieuwe beelding, which also means "new form" or "new image." The
- Title: Short Bio of Raphael
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- its clarity of form and ease of composition and for its visual
- Title: Short Bio of Odilon Redon (1840-1916)
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- a serious illness in 1894-95, he was transformed into a much more buoyant
- Title: Short Bio of Pierre-Auguste Renoir (1841-1919)
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- disciplined, formal technique to portraits and figure paintings,
- Gleyre and there formed a lasting friendship with
- He was one of the great worshippers of the female form, and he said
- Title: Short Bio of Peter Rubens
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- fell under the spell of the radiant color and majestic forms of
- work had a formative influence on Rubens's mature style. During Rubens's 8
- religious paintings with the emotional tenor of the Counter-Reformation.
- in Roman Catholic dogma, Rubens avoided sterile repetition of academic forms
- A love of monumental forms and dynamic effects is most readily apparent in
- Title: Short Bio of John Sargent (1856-1925)
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- an adroit performer'; but with
- Title: Short Bio of Georges Seurat (1859-1891)
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- strokes of contrasting color to create subtle changes in form.
- Title: Short Bio of Paul Signac
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- gave him financial independence. Unlike Seurat, he had virtually no formal
- Title: Short Bio of James Tissot
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- Bible were enormously popular, both in book form and when the original
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