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- Title: List of Short, Artist Biographys
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- Hendrick Avercamp (1585-1634)
- Title: Short Bio of Albrecht Altdorfer
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- the first artists to show an interest in landscape as an independent genre.
- Title: Short Bio of Fra Angelico (c. 1400-55)
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- Many of the frescos are in the friars cells and were intended as aids
- Title: Short Bio of Rolf Armstrong
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- He started producing calendar girls in 1919, the first being called
- Title: Short Bio of Zacharie Astruc (1833-1907)
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- he had been a defender of
- Title: Short Bio of Hendrick Avercamp (1585-1634)
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- Hendrick Avercamp
- Avercamp, Hendrick
- Title: Short Bio of Federico Barocci (c. 1535-1612)
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- convey a feeling of intimate tenderness, his handling has great vigor.
- Title: Short Bio of Frédéric Bazille (1841-70)
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- studio in Paris (1862) he befriended
- Title: Short Bio of Abraham Beyeren
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- on varied surfaces and organize forms and colors into an opulently blended
- Title: Short Bio of Sandro Botticelli (Alessandro di Moriano Filipepi, 1444/5-1510)
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- of his paintings are those illustrating Greek and Roman legends. The best
- Title: Short Bio of Dirk Bouts
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- His static figures are exaggeratedly slender and graceful, and often set
- but the individuality of Bouts work transcends
- Title: Short Bio of Marie Bracquemond
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- his friendship with Manet and other
- Title: Short Bio of Ford Brown
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- England in 1846, he became a friend of the Pre-Raphaelites and with his
- Title: Short Bio of Sir Burne-Jones (1833-1898)
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- led by his Oxford friend the poet and artist William Morris. For
- Title: Short Bio of Gustave Caillebotte
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- He was an engineer by profession, but also attended the Ecole des
- works in a more realistic style than that of his friends. Caillebotte's most
- Title: Short Bio of Canaletto (Giovanni Antonio Canal)
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- his work culminating in the splendid Stone Mason's Yard
- Title: Short Bio of Alonso Cano (1601-67)
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- In spite of his violent temperament, his work tends to be serene and
- Title: Short Bio of Carracci (1557-1602)
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- (1555-1619), who were prominent figures at the end of the 16th century
- 1585-95, but near the end of his career he still produced remarkable paintings
- Title: Short Bio of Mary Cassatt (1844-1926)
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- ancestry had endowed him with a passion for that country,
- She also advised and encouraged her friends the Havemeyers to build up
- Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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- He rendered forms by means of light by using thick, layered brushstrokes and
- Title: Short Bio of Clouet
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- Clouet. A family of painters descended from Jean Clouet (or
- Title: Short Bio of John Constable (1776-1837)
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- After spending some years working in the picturesque tradition of
- the attempt to render scenery more directly and realistically, carrying
- 1821. To render the shifting flicker of light and weather he abandoned
- sketch, and in the 20th century there has been a tendancy to praise
- Title: Short Bio of Correggio (Antonio Allegri)
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- Christ is shown in sharp foreshortening ascending to heaven.
- Title: Short Bio of Piero Cosimo
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- oeuvre depends on the account given in Vasari's Lives. It
- scene of the utmost pathos and tenderness. He was a marvellous painter
- Title: Short Bio of Jasper Cropsey
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- drawings, and architectural renderings he could find. At the age of
- Title: Short Bio of Edward d'Ancona
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- Although he was a prolific pin-up artist who produced hundreds of enjoyable images, almost nothing is known about his background. He sometimes signed his paintings with the name "D'Amarie", but his real name appears on numerous calendar prints published from the mid 1930s through the mid 1950s, and perhaps as late as 1960.
- By 1960, d'Ancona had moved into the calendar art field. Instead of doing pin-ups and glamour images, however, he specialized in pictures on the theme of safety in which wholesorne policemen helped children across the street in suburban settings that came straight out of Norman Rockwell.
- Title: Short Bio of Eugène Delacroix (1798-1863)
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- unblended colors forming what at a distance looks like a unified whole would
- Title: Short Bio of Peter Driben
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- Driben was also a close friend of publisher Robert Harrison, and in 1941
- Title: Short Bio of Adam Elsheimer
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- the Dutch amateur artist Count Hendrick Goudt (1573-1648), and Elsheimer
- was a friend of Elsheimer and after his death lamented his sin of sloth,
- Title: Short Bio of Henri Fantin-Latour (1836-1904)
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- friendship with leading avant-garde artists.
- Title: Short Bio of Master Flémalle (active 1406-44)
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- none of whose documented pictures survive. The identification depends
- Title: Short Bio of Art Frahm
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- Frahm, whose commercial art ranged from magazine cover illustration to zany "hobo" calendar paintings, excelled in (and perhaps created) the "ladies in distress" series for the Joseph C. Hoover & Sons calendar company, in which a lovely girl is literally caught with her panties down, her lacy undies slipping to her ankles while she's in the process of bowling, walking the dog or changing a tire.
- Title: Short Bio of Caspar Friedrich
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- renderings of trees, hills, harbors, morning mists, and other light effects
- those of his literary friends. For example, a landscape showing a ruined
- painter also intended the composition to represent both the church shaken by
- Title: Short Bio of Pearl Frush
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- was working for the Gerlach-Barklow Calendar Company, producing a popular
- calendars of her work, however she soon became one of the most successful
- Title: Short Bio of Henry Fuseli
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- at its best has something of the imaginative intensity of his friend Blake,
- Title: Short Bio of Thomas Gainsborough
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- an independent and original genius, able to assimilate to his own ends
- great passion outside painting being music (his friend William Jackson
- Title: Short Bio of (Eugène-Henri-) Gauguin (1848-1903)
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- 20th-century art. After spending a short period with
- Title: Short Bio of Jean-Léon Gérôme
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- of academic tradition and enemy of progressive trends in art; he opposed,
- Title: Short Bio of Domenico Ghirlandaio
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- features with ruthless realism, but has a remarkable air of tenderness.
- Ghirlandaio's son and pupil Ridolfo (1483-1561) was a friend of
- Title: Short Bio of Giotto (c. 1267-1337)
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- paintings is a portrait of his friend the poet Dante. The Church of Santa
- Magister (Great Master) and appointed him city architect and superintendent
- terms with the pope, and King Robert of Naples called him a good friend.
- Title: Short Bio of Hugo Goes
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- also to travel. In 1481 he suffered a mental breakdown (he had a tendency
- Title: Short Bio of Francisco Goya
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- Fuendetodos, Spain d. April 16, 1828, Bordeaux, Fr.), consummately
- Fuendetodos, a village in northern Spain. The family later moved to
- invasion and the Spanish war of independence from 1808 to 1814, Goya served
- Title: Short Bio of Jean-Baptiste Greuze
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- and he sank into obscurity at the Revolution in 1789. At the very end of
- Title: Short Bio of Jan Heem
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- works: splendid flower pieces and large compositions of exquisitely laid
- Title: Short Bio of Velino Shije Herrera
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- the trends in art for the pueblos. His "Buffalo Dancer" is a much copied
- Title: Short Bio of Nicholas Hilliard
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- and dominated the limning of their era. Hilliard's reputation extended
- Title: Short Bio of Meindert Hobbema
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- in his native Amsterdam, where he was the friend and only documented pupil
- Title: Short Bio of Katsushika Hokusai (1760-1849)
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- from the traditions, legends, and lives of the Japanese people.
- Title: Short Bio of Hans Holbein (1465?-1524)
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- Erasmus, who befriended the young artist and asked him to illustrate his
- Title: Short Bio of Paul Klee
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- and children's art all seem blended
- hesitation he chose to study art, not music, and he attended the Munich
- exhibited his etchings for the first time. His friendship with the painters
- Klee taught at the BAUHAUS school after World War I, where his friend
- Title: Short Bio of Charles Le (1619-90)
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- Methode pour apprendre a dessiner les passions...
- Title: Short Bio of Claude Lorrain (1600-1682)
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- countries. Claude, whose special contribution was the poetic rendering
- Title: Short Bio of Earl MacPherson
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- despite painting the best selling pinup girl for the Shaw-Barton Calendar
- for their 1942 Calendar Lucky Strike Green Has Gone to War), MacPherson
- year run of The MacPherson Sketchbook calendar. During this
- took over the Artist's Sketchbook calendars, successfully reproducing
- Title: Short Bio of Henri Matisse (1869-1954)
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- to spend time on the French Riviera at Nice and Vence. Here he
- Title: Short Bio of Jean-François Millet (1814-75)
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- stock, he tended to look upon farmworkers as narrow-minded and
- Although towards the end of his life, when he started using a lighter
- Title: Short Bio of Amedeo Modigliani
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- His friendship with Constantin Brancusi kindled Modigliani's interest in
- Title: Short Bio of Earl Moran
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- and comenced painting film stars along with his calendar work for Brown and
- Title: Short Bio of Berthe Morisot
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- later began her long friendship with
- Title: Short Bio of Bartolomé Murillo (1617-82)
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- later works are nearly all serene religious compositions, marked by splendid
- St. Elizabeth of Hungary Tending the Sick, and
- Title: Short Bio of GeorgePetty
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- calendar girls and covers for The Household magazine. It wasn't until 1926
- she soon spread to advertisments, calendars and film posters. Petty left
- well into the 70's for companies like True Calendars and the Ridgid Tool
- Title: Short Bio of Piero (1420?-92)
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- care with which he rendered the landscapes that provide the backgrounds for
- The Legend of the True Cross.
- end of his life. Piero died in Sansepolcro on Oct. 12, 1492.
- Title: Short Bio of Ludovic Piette (1826-77)
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- before attending
- the Académie Suisse, where he became friendly with
- and started to follow the tendancies of
- Title: Short Bio of Camille Pissarro (1830-1903)
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- who endured prolonged financial hardship
- Title: Short Bio of Odilon Redon (1840-1916)
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- by the end of his life, although still a very private person.
- Title: Short Bio of Pierre-Auguste Renoir (1841-1919)
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- Gleyre and there formed a lasting friendship with
- statements of the Impressionist style. Like Monet, Renoir endured
- confined to a wheelchair), but he continued to paint until the end
- Title: Short Bio of Dante Rossetti
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- medieval design also inspired his new friends of this time, William Morris
- (1863; Tate Gallery, London). Toward the end of his life,
- Title: Short Bio of Henri Rousseau (1844-1910)
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- them as praise) as well as enduring great poverty. However, his faith
- Title: Short Bio of Peter Rubens
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- ending the war between the Spanish Netherlands and the Dutch Republic and
- Title: Short Bio of Donald Rust
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- He has illustrated books for Valkyrie Press, A.S. Barnes & Co., and World of Yesterday Publications; and has provided illustrations for Reader's Digest and other magazines. His artwork has also appeared on collector's plates, appointment books, wall calendars, porcelain mugs, playing cards and jigsaw puzzles.
- Title: Short Bio of John Sargent (1856-1925)
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- in sending his son to see him in London, where Sargent spent
- Title: Short Bio of Egon Schiele
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- in 1907, Schiele soon achieved an independent anticlassical style wherein his
- Title: Short Bio of Georges Seurat (1859-1891)
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- other artists founded the Societe des Artistes Independants. His famous
- centerpiece of an exhibition in 1886. By then Seurat was spending his winters
- 29, 1891, did his friends learn of his mistress, who was the model for his
- Title: Short Bio of Joshua Shaw
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- the end of his life, often including picturesque remnants of castles
- Title: Short Bio of Paul Signac
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- gave him financial independence. Unlike Seurat, he had virtually no formal
- palette but applied it in dots that were to be blended by the viewer's eye.
- Independants (1908-34), Signac encouraged younger artists by exhibiting the
- Title: Short Bio of Alfred Sisley
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- His family gave him every support, sending him to Gleyre's studio,
- in which he was to stay until virtually the end of his life.
- and 1882. His work had by this time achieved complete independance
- Towards the end of the decade Monet was beginning to have a considerable
- of his fellow Impressionists did, and it was only towards the end
- Title: Short Bio of Dorothea Tanning
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- She attended Knox College in Galesburg, studied art in Chicago, and in
- Title: Short Bio of Jesse Trevino
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- the world of Treviño's artistry. He was attending the Art Students League
- Title: Short Bio of Joseph Turner (1775-1851)
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- whom he lived for 30 years, he had no close friends. He allowed no one to
- watch him while he painted. He gave up attending the meetings of the academy.
- Title: Short Bio of Diego Velázquez (1599-1660)
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- The Surrender of Breda, an equestrian portrait of Philip IV,
- Title: Short Bio of Jim Warren
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- Art Training: "I'm basically self taught. I learned some basics in my high school art class. At college I attended several life-drawing classes, and always studied the great masters at museums."
- 1992: Began the unique trendsetting idea of collaboration paintings with famed marine life artist, Wyland, showcasing both artists' specialties...Marine Life (Wyland) and People (Jim).
- Title: Short Bio of Jean-Antoine Watteau (1684-1721)
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- Watteau returned to Paris and in 1715 was befriended by Pierre Crozat, a
- rich financier and art collector who owned a splendid collection of Flemish
- In 1720 he returned to Paris and stayed with his friend
- a painting of the interior of Gersaint's shop intended for use as a
- Title: Short Bio of Benjamin West (1738-1820,)
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- and it was said that he got his first paints from his Indian friends. When he
- he became a friend of Sir
- Title: Short Bio of James Whistler (1834-1903)
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- and decoration in general. Through his friend
- and Oscar Wilde were among his famous friends.
- Art should be independent of all claptrap should stand alone, and
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