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- Title: Short Bio of Albrecht Altdorfer
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- the leading artist of the so-called Danube School.
- Title: Short Bio of Altichiero (active 1372-84)
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- collaborated with an artist called Avanzo, who is otherwise unknown and
- Title: Short Bio of Fra Angelico (c. 1400-55)
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- not an artist properly so-called but an inspired saint
- The painter has long been called Beato Angelico (the Blessed Angelico),
- Title: Short Bio of Rolf Armstrong
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- He started producing calendar girls in 1919, the first being called
- Title: Short Bio of William Blake (1757-1827)
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- produce an edition of Blake's poems and drawings, called
- Title: Short Bio of Sandro Botticelli (Alessandro di Moriano Filipepi, 1444/5-1510)
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- called Il Botticello ("The Little Barrel").
- Title: Short Bio of Pieter Bruegel (about 1525-69)
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- sometimes called the "peasant Bruegel" from such works as
- Title: Short Bio of Canaletto (Giovanni Antonio Canal)
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- topographically accurate, set in a higher key, and with smoother, more
- Title: Short Bio of Alonso Cano (1601-67)
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- sometimes called the Spanish
- Title: Short Bio of Carracci (1557-1602)
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- called the Accademia dei Desiderosi (Desiderosi meaning desirous of
- who was by far the greatest artist of the family, was called to Rome by
- a small room called the Camerino with stories of Hercules, and in 1597
- Title: Short Bio of Paul Cézanne (1839-1906)
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- itself. He has been called the father of modern painting.
- Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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- thin, luminous glazes. Called the grand magician by critics, he achieved a
- Title: Short Bio of Giovanni Cima
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- has been called the poor man's Bellini', but because of his calm and weighty
- Title: Short Bio of Clouet
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- and shade with a delicate system of hatching that recalls Leonardo,
- Title: Short Bio of John Constable (1776-1837)
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- the attempt to render scenery more directly and realistically, carrying
- Just as his contemporary William Wordsworth rejected what he called the
- but he makes me call for my great coat and umbrella.
- For his most ambitious works six-footers as he called them he
- Title: Short Bio of John Copley (1738-1815)
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- the rococo device called portrait d'apparat portraying the subject with
- Title: Short Bio of Piero Cosimo
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- a spirit of low comedy about these delightful works, but in the so-called
- Title: Short Bio of Cuyp
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- collections, public and private, than in Dutch museums. His finest works typically
- Title: Short Bio of Dosso Dossi
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- is not called Dosso Dossi until the 18th century). By 1514 he was in
- Title: Short Bio of Henri Fantin-Latour (1836-1904)
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- (sometimes called Homage to Manet)
- Title: Short Bio of Jean-Honoré Fragonard (1732-1806)
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- Coroesus Sacrificing himself to Save Callirhoe
- Title: Short Bio of Luca Giordano
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- he was called to Spain by Charles II and stayed there for 10 years, painting
- Title: Short Bio of Giotto (c. 1267-1337)
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- terms with the pope, and King Robert of Naples called him a good friend.
- Title: Short Bio of Hugo Goes
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- Ofhuys was apparently jealous of Hugo and his description has been called
- Title: Short Bio of Francisco Goya
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- more important than tradition, Goya is often called "the first of the
- called before the Inquisition to explain his earlier portrait of
- In 1816 he published his etchings on bullfighting, called the
- a series of etchings also called
- Title: Short Bio of Jean-Baptiste Greuze
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- Reproaching Caracalla (Louvre, 1769) was rejected by the Salon, causing
- Title: Short Bio of Matthias Grünewald (his real name was Mathis Neithart, otherwise Gothart, 1470/80-1528)
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- called Nithart or Neithardt, was a major figure in a generation of great
- Dürer, specifically his Apocalypse series. Different from High Renaissance
- Title: Short Bio of Nicholas Hilliard
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- with a jeweller's exquisiteness in detail, an engraver's elegance in calligraphy,
- Title: Short Bio of Hans Holbein (1465?-1524)
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- Title: Short Bio of Anselm Kiefer
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- to deal ironically with 20th-c. German history; developed array of visual
- Title: Short Bio of Paul Klee
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- enthusiastically to Early Christian and Byzantine art.
- Title: Short Bio of Kasimir Malevich (1878-1935)
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- abstract geometric patterns in style he called suprematism; taught painting
- Title: Short Bio of Andrea Mantegna (1431?-1506)
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- called the Camera degli Sposi (wedding chamber), he painted the walls and
- Title: Short Bio of Franz Marc
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- Tragically, Marc was killed in World War I at the age of
- Title: Short Bio of Gustave Moreau (1826-1898)
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- distinctive in subject and technique. His preference was for mystically
- Title: Short Bio of Pierre-Auguste Renoir (1841-1919)
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- movement. His early works were typically Impressionist
- spot called La Grenouillère done in 1869 (an example by Renoir is in
- he called his manière aigre (harsh or sour manner) in the mid 1880s,
- Title: Short Bio of Peter Rubens
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- Cathedral) with a characteristically baroque sense of movement and tactile
- Title: Short Bio of Georges Seurat (1859-1891)
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- technique called pointillism, or divisionism, which uses small dots or
- Title: Short Bio of Joshua Shaw
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- basically untouched by industrialization. Its glorification of a
- Jeffersonian audience. The setting, while not topographically accurate,
- blue tones, touched with yellow, recall not only the effects achieved
- Title: Short Bio of Paul Signac
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- What Signac called "muddy mixtures" were to be banished from painting and
- Title: Short Bio of James Tissot
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- St John's Wood; in 1874 Edmond de Goncourt wrote sarcastically that he had
- Title: Short Bio of Joseph Turner (1775-1851)
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- called "decaying artists." His collection of paintings was bequeathed to his
- Title: Short Bio of Diego Velázquez (1599-1660)
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- from common life, called genre pictures. Most of them, however, are portraits
- Velasquez was called the "noblest and most commanding man among the
- Title: Short Bio of Jim Warren
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- Art Training: "I'm basically self taught. I learned some basics in my high school art class. At college I attended several life-drawing classes, and always studied the great masters at museums."
- Title: Short Bio of James Whistler (1834-1903)
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- why I insist on calling my works arrangements' and harmonies''.
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