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- Title: List of Short, Artist Biographys
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- Matthias Grünewald (his real name was Mathis Neithart, otherwise Gothart, 1470/80-1528)
- Wassily Kandinsky (b. Dec. 4 [Dec. 16, New Style], 1866, Moscow, Russia--d. Dec. 13,)
- Title: Short Bio of Altichiero (active 1372-84)
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- the point of departure for a new style which is reflected in Pisanello.
- Title: Short Bio of Fra Angelico (c. 1400-55)
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- new emphasis on the story and on circumstantial detail, bringing
- Title: Short Bio of Rolf Armstrong
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- baseball and art while he studied. After Chicago Rolf arrived in New York,
- the 40's and into the 50's, Armstrong faced stiff competition from new
- Title: Short Bio of Hans Baldung
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- bring him closer in spirit to his other great German contemporary, Grünewald.
- Title: Short Bio of Giovanni Bellini (1430?-1516)
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- rivaled Florence and Rome. He brought to painting a new degree of realism, a
- new wealth of subject matter, and a new sensuousness in form and color.
- colors in new and varied ways.
- painting six or seven new canvases. These, his greatest works, were destroyed
- Title: Short Bio of Ford Brown
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- Edward III (Art Gallery of New South Wales, Sydney, 1851) contains
- Title: Short Bio of Hans Burgkmair
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- in Nuremberg in introducing the new style. Like Dürer he contributed to
- Title: Short Bio of Gustave Caillebotte
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- intriguing paintings are those of the broad, new Parisian boulevards. The
- Title: Short Bio of Mary Cassatt (1844-1926)
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- (Lady at the Teatable, 1885; Metropolitan Museum, New York),
- Title: Short Bio of William Chase
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- in New York in 1878 after five years studying in Munich and became the
- Students League of New York and then at his own Chase School of Art, founded
- Title: Short Bio of John Constable (1776-1837)
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- of the world', and in a then new way he represented in paint the
- He never went abroad, and his finest works are of the places he knew
- Title: Short Bio of John Copley (1738-1815)
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- subjects. His Boston portraits show a thorough knowledge of his New England
- Eager to expand his reputation beyond New England, Copley sent his
- Title: Short Bio of Gustave Courbet (1819-77)
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- as people in the arts became more open to new ideas. Courbet's early work was
- Title: Short Bio of Lucas Cranach (1472-1553)
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- associated with the newly founded university. His stay in Vienna was brief
- Title: Short Bio of Jasper Cropsey
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- a diploma from the 1837 Mechanics Institute of New York fair. Soon
- Title: Short Bio of Stuart Davis (1894-1964)
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- was art director of a Philadelphia newspaper, who had employed
- After a visit to Paris in 1928-29 he introduced a new note into US
- Whitney Museum, New York, 1931).
- Title: Short Bio of Billy DeVorss
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- from the Kansas City Art Institute in 1934 and soon after moved to New York
- Title: Short Bio of Peter Driben
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- by 1935 he was producing covers for Snappy, Pep, New York Nights, French
- was contracted to produce covers for Harrison's new magazine 'Beauty Parade'.
- Title: Short Bio of Jan Eyck
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- painter who perfected the newly developed technique of oil
- Title: Short Bio of Robert Feke
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- He was active from that time in Newport and Philadelphia until 1750, when his
- Title: Short Bio of Master Flémalle (active 1406-44)
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- (Metropolitan Museum, New York), and he is indeed sometimes referred to as
- Title: Short Bio of Jean-Honoré Fragonard (1732-1806)
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- (Frick Collection, New York, 1771-73).
- unsuccessfully to adapt himself to the new
- Title: Short Bio of Pearl Frush
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- instruction courses New Orleans before moving on to study in Philidelphia
- and New York. By this time her family had moved to Chicago, where she joined
- Title: Short Bio of Henry Fuseli
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- who described Fuseli as The only man that e'er I knew / who did not make
- Title: Short Bio of Thomas Gainsborough
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- the neighboring squires, but when in 1759 he moved to Bath, his new sitters
- Title: Short Bio of Francisco Goya
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- mankind. He evolved a bold, free new style close to caricature. In 1799 he
- serving the French, but his work was not favored by the new king. He was
- Title: Short Bio of Matthias Grünewald (his real name was Mathis Neithart, otherwise Gothart, 1470/80-1528)
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- Matthias Grünewald
- Matthias Grünewald, c.1475-1528, whose real name was Mathis Gothart,
- Grünewald remained relatively unknown until the 20th century; only about
- Grünewald grew up in Würzburg near Nuremberg, and from 1501 until 1521 he
- Grünewald's earliest datable work is the Mocking of Christ
- High Renaissance. Elements of the work also show Grünewald's assimilation of
- idealism and humanism, however, are Grünewald's uses of figural distortion to
- Grünewald was to develop into the masterful, individualistic style most
- Title: Short Bio of Velino Shije Herrera
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- was born in Zia Pueblo, New Mexico in 1902
- and died in Santa Fe, New Mexico in 1973. Velino Herrera went to school in
- symbol to the state of New Mexico for use as the official insignia. He
- Title: Short Bio of Katsushika Hokusai (1760-1849)
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- in 1775 and there learned the new, popular technique of
- Title: Short Bio of Edward Hopper (1882-1967)
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- American painter, active mainly in New York.
- Title: Short Bio of Wassily Kandinsky (1866-1944)
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- (b. Dec. 4 [Dec. 16, New Style], 1866, Moscow, Russia d. Dec. 13,
- intriguing scientists such as Sir Isaac Newton. Kandinsky used color
- Title: Short Bio of Paul Klee
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- Collection of Clifford Odets, New York City) is distinctive of this period.
- Title: Short Bio of Edouard Manet (1832-1883)
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- Manet broke new ground in choosing subjects from the events and
- Title: Short Bio of Andrea Mantegna (1431?-1506)
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- Roman antiquities. Mantegna knew many of the scholars and antiquarians who
- Title: Short Bio of Franz Marc
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- forth a new program for art based on exuberant color and on
- Title: Short Bio of Henri Matisse (1869-1954)
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- into new art have changed our understanding of the world. Matisse was
- Title: Short Bio of Amedeo Modigliani
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- (1912; Guggenheim Museum, New York City) and
- Modern Art, New York City) exemplify his sculptural work, which consists
- Title: Short Bio of Piet Mondrian
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- Dutch phrase nieuwe beelding, which also means "new form" or "new image." The
- Title: Short Bio of Rowena Morrill
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- Since 1975 she has lived and worked in New York and has become a celebrity to science fiction fans, artists and art students. Aside from illustrating book covers for more than a dozen publishers in both the United States and Europe, she has participated in gallery and museum exhibitions throughout the country, and her work is found in important private and museum collections worldwide.
- Title: Short Bio of Nehemiah Partridge
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- Nehemiah Partridge lived in New York, and was known for naïve,
- Title: Short Bio of Jackson Pollock (1912-56)
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- He began to study painting in 1929 at the Art Students League, New York,
- image. All these characteristics were important for the new American
- Title: Short Bio of Auguste Rodin (1840-1917)
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- rejected each time. In 1858 he began to do decorative stonework in order to
- Title: Short Bio of Dante Rossetti
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- medieval design also inspired his new friends of this time, William Morris
- Title: Short Bio of Henri Rousseau (1844-1910)
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- (MOMA, New York, 1910). These two paintings are works of great
- Title: Short Bio of John Sargent (1856-1925)
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- Sargent persuaded Monet to exhibit at the New English Art Club,
- Title: Short Bio of Egon Schiele
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- Museum, New York City), and a series of unflinching and disquieting
- Galerie, Vienna) reveal a newfound sense of security.
- Title: Short Bio of Joshua Shaw
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- Avon Valley Near Bath (c. 1815, Lyman Allyn Museum, New London, Conn.);
- Title: Short Bio of Dorothea Tanning
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- 1935 moved to New York City, where she supported herself with advertising art
- and painted in her spare time. A commercial artist in New York, she began
- Title: Short Bio of James Tissot
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- behavior. In 1882, following the death of his mistress Kathleen Newton
- Title: Short Bio of Jesse Trevino
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- in New York, and was about to go to Paris, when he received his draft
- Title: Short Bio of Benjamin West (1738-1820,)
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- studied in Philadelphia and New York City. He also served as a militia
- Title: Short Bio of Joseph Wright
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- moonlight or candlelight combine the realism of the new machinery with
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