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- Title: Short Bio of Albrecht Altdorfer
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- working in Regensburg, of which town he was a citizen from 1505 onwards,
- Christ Taking Leave of His Mother (National Gallery, London) he
- Title: Short Bio of Jacopo Bassano (1553-1613)
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- search for novel effects of light, taking on something of the iridescent
- and popularity working in Venice. The work of the family is well represented
- Title: Short Bio of Hieronymus Bosch
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- (later king of Castile), for a lost Last Judgment altarpiece. None of
- Title: Short Bio of François Boucher (1703-1770)
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- Gobelins tapestries. In 1765 he was made first painter to the king,
- Title: Short Bio of Sir Burne-Jones (1833-1898)
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- King Cophetua and the Beggar Maid
- Title: Short Bio of Alonso Cano (1601-67)
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- than once he fled or was expelled from the city he was working in
- Title: Short Bio of Lewis; Caroll
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- Through the Looking-Glass (1872).
- Title: Short Bio of Antoine Caron
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- precious-looking figures set in open spaces that seem too large for them.
- Title: Short Bio of Carracci (1557-1602)
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- They continued working in close relationship until 1595, when Annibale,
- London, c.1602) reveal a striking economy in figure composition and a force
- be ponderous and lacking in originality. Their full rehabilitation had
- Title: Short Bio of Mary Cassatt (1844-1926)
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- The exhibition also confirmed her predilection for print-making
- Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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- Chardin's early support came from aristocratic patrons, including King Louis
- Title: Short Bio of Clouet
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- king in a lavish gold doublet, has also been given to Jean). François,
- Title: Short Bio of John Constable (1776-1837)
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- After spending some years working in the picturesque tradition of
- were always running after pictures and seeking the truth at second hand'.
- followed the unusual technical procedure of making a full-size oil
- Title: Short Bio of Correggio (Antonio Allegri)
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- it were actually taking place in the sky above
- Title: Short Bio of Lucas Cranach (1472-1553)
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- when he settled in Vienna and started working in the humanist circles
- Title: Short Bio of Cuyp
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- river scenes and landscapes with placid, dignified-looking cows show great
- Title: Short Bio of Peter Driben
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- late thirties with covers for Silk Stocking Stories, Gay Book, Movie
- Title: Short Bio of Gil Elvgren
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- advertising agency, working under Haddon Sundblom (famous for his Coca Cola
- Title: Short Bio of Robert Feke
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- His works are somewhat lacking in characterization, but their strength and
- Title: Short Bio of Art Frahm
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- Frahm, whose commercial art ranged from magazine cover illustration to zany "hobo" calendar paintings, excelled in (and perhaps created) the "ladies in distress" series for the Joseph C. Hoover & Sons calendar company, in which a lovely girl is literally caught with her panties down, her lacy undies slipping to her ankles while she's in the process of bowling, walking the dog or changing a tire.
- Title: Short Bio of Pearl Frush
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- work and working for the Sundblom, Johnson and White Studio. By 1943 she
- was working for the Gerlach-Barklow Calendar Company, producing a popular
- Title: Short Bio of Thomas Gainsborough
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- style he had evolved at Bath, working with light and rapid brush-strokes
- Royal Family, even though his rival Reynolds was appointed King's Principal
- Title: Short Bio of Aert Gelder
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- Dutch artist to continue working in his style into the 18th century. His
- Title: Short Bio of Domenico Ghirlandaio
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- Benedetto (1458-97) and Davide (1452-1525). His largest undertaking
- Title: Short Bio of Giotto (c. 1267-1337)
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- terms with the pope, and King Robert of Naples called him a good friend.
- Title: Short Bio of Vincent Gogh (1853-90)
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- striking colour, coarse brushwork, and contoured forms the anguish of
- Title: Short Bio of Francisco Goya
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- to the Royal Academy of San Fernando in 1780, named painter to the king in
- serving the French, but his work was not favored by the new king. He was
- Title: Short Bio of Matthias Grünewald (his real name was Mathis Neithart, otherwise Gothart, 1470/80-1528)
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- Grünewald's earliest datable work is the Mocking of Christ
- Title: Short Bio of Francesco Guardi
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- still working for other artists when he was over 40, he never attracted
- having qualities of spontaneity, bravura, and atmosphere lacking in Canaletto's
- breathtaking freedom, are by Francesco or Gianantonio (there is dispute
- Title: Short Bio of Ando Hiroshige (1797-1858)
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- school of printmaking, he transmuted everyday landscapes into intimate,
- Title: Short Bio of Katsushika Hokusai (1760-1849)
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- school of printmaking.
- woodcut printmaking. Between 1796 and 1802 he produced
- Title: Short Bio of Hans Holbein (1465?-1524)
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- services at court relates that he painted the portrait of the king, "life
- designed the king's state robes and made drawings that were the basis of all
- bookbindings. In 1539, when Henry was thinking of marrying Anne of Cleves, he
- London working on another portrait of the king when he died, a victim of the
- Title: Short Bio of Charles de La Fosse (1636-1716)
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- during the reign of King Louis XIV. La Fosse was also impressed with
- Title: Short Bio of Nicolas Lancret (1690-1743)
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- of courtly amusements taking place in Arcadian settings, reflected the
- Title: Short Bio of Charles Le (1619-90)
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- Among the most outstanding of his works for the king were the
- Title: Short Bio of Alphonse Legros (1837-1911)
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- printmaking during a period of low ebb.
- Title: Short Bio of Earl MacPherson
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- MacPherson was working in Hollywood, painting portraits of the Earl
- Carroll Girls. This brought him to the attention of the Kings of Pinup,
- felt he was having trouble making the grade in such company. However,
- Title: Short Bio of Kasimir Malevich (1878-1935)
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- He began working in an unexceptional
- Title: Short Bio of Andrea Mantegna (1431?-1506)
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- viewer the illusion of looking up from below. The effect is somewhat the same
- as looking up from ground level at statues mounted on a pedestal.
- women looking down from above. Rooms creating this sort of illusion became
- Title: Short Bio of Henri Matisse (1869-1954)
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- Matisse initially became famous as the King of the
- Title: Short Bio of Amedeo Modigliani
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- arresting arrangement of curved lines and planes as well as a striking
- Title: Short Bio of Earl Moran
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- at the same time working for a large engraving house which specialised in
- Title: Short Bio of Gustave Moreau (1826-1898)
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- intense images evoking long-dead civilizations and mythologies,
- Title: Short Bio of Bartolomé Murillo (1617-82)
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- coloring, great technical skill, and pious intensity. One striking
- Moses Striking the Rock,
- Title: Short Bio of Pierre Patel (1605-1676)
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- Title: Short Bio of GeorgePetty
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- Louisiana in 1894 and after the family moved to Chicago Petty started working
- Laurens. Petty then returned to Chicago, working as a photo retoucher for a
- By the early 20's Petty was working as a freelance artist, painting
- Title: Short Bio of Piero (1420?-92)
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- By 1439 Piero was working with Domenico Veneziano on frescoes for the
- Title: Short Bio of Henri Rousseau (1844-1910)
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- the utter freshness of his vision even when working on a large scale and
- Title: Short Bio of John Sargent (1856-1925)
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- the major part of his working life, described him as
- Title: Short Bio of Georges Seurat (1859-1891)
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- when looking at the entire work but making his paintings shimmer with
- Title: Short Bio of James Tissot
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- long, one can see a footman in silk stockings brushing and shining the
- Title: Short Bio of Joseph Turner (1775-1851)
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- he was making drawings at home and exhibiting them in his father's shop
- Title: Short Bio of Diego Velázquez (1599-1660)
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- statuary for the king's collection.
- Title: Short Bio of Jean-Antoine Watteau (1684-1721)
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- In 1708 Watteau began working with Claude Audran, who had the care of the
- Title: Short Bio of Benjamin West (1738-1820,)
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- first major artist working in England to do so.
- Samuel Johnson for one, took an interest in the young American. King George
- historical painter to the king with an annual allowance of 1,000 pounds. By
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