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Query was: human
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- Title: Short Bio of Giovanni Bellini (1430?-1516)
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- rigid style with a depth of religious feeling and gentle humanity. From the
- is often reflected behind human figures in streaks of water that make
- Title: Short Bio of Pieter Bruegel (about 1525-69)
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- and fine detail. They also expose human weaknesses and follies. He was
- Title: Short Bio of Michelangelo Caravaggio (1573-1610)
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- of artists before him. They had idealized the human and religious experience.
- Title: Short Bio of Carracci (1557-1602)
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- Loves of the Gods, or, as Bellori described it, human love governed
- Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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- subjects and project an aura of humanity, intimacy, and honest domesticity.
- Title: Short Bio of John Copley (1738-1815)
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- struggle of humans against nature.
- Title: Short Bio of Lucas Cranach (1472-1553)
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- when he settled in Vienna and started working in the humanist circles
- Title: Short Bio of Edgar Degas (1834-1917)
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- French artist, acknowledged as the master of drawing the human figure
- Title: Short Bio of Albrecht Dürer
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- Dürer, Four Books on Human Proportions, 1528
- Title: Short Bio of Giotto (c. 1267-1337)
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- Each fresco depicts an incident; the human and animal figures are realistic
- followed him. He had a grasp of human emotion and of what was significant in
- human life. In concentrating on these essentials he created compelling
- In him they find a direct approach to human experience that remains valid for
- Title: Short Bio of Francisco Goya
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- The experience helped him become a keen observer of human behavior. He was
- a series of etchings satirizing human folly and
- Title: Short Bio of Matthias Grünewald (his real name was Mathis Neithart, otherwise Gothart, 1470/80-1528)
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- idealism and humanism, however, are Grünewald's uses of figural distortion to
- Title: Short Bio of Hans Holbein (1465?-1524)
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- many scholars living in Basel at that time was the famous Dutch humanist
- Title: Short Bio of Bartolomé Murillo (1617-82)
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- and his natural, human portrayal of figures seems to show the influence of
- Title: Short Bio of Raphael
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- achievement of the Neoplatonic ideal of human grandeur.
- Title: Short Bio of Odilon Redon (1840-1916)
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- amoeboid creatures, insects, and plants with human heads and so on),
- Title: Short Bio of Auguste Rodin (1840-1917)
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- of humanity, and his works confront distress and moral weakness as well as
- Title: Short Bio of Leonardo (c.1485-1532)
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- Renaissance humanist ideal. His
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