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- Title: Short Bio of Albrecht Altdorfer
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- Yet in spite of these varied influences Altdorfer's style always remained
- Title: Short Bio of Fra Angelico (c. 1400-55)
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- the name by which he was always known, and it was certainly used as
- Title: Short Bio of Federico Barocci (c. 1535-1612)
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- Despite the fact that he worked away from the main centers of art, his work
- Title: Short Bio of Jacopo Bassano (1553-1613)
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- the Elder (c.1475-1539), was a village painter and Jacopo always retained
- way he helped to develop the taste for paintings in which the genre or
- Title: Short Bio of Giovanni Bellini (1430?-1516)
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- colors in new and varied ways.
- Title: Short Bio of Adolphe-William Bouguereau (1825-1905)
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- One has to seek Beauty and Truth, Sir! As I always say to my
- Title: Short Bio of Carracci (1557-1602)
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- and highly personal. Painterly and expressive considerations always outweigh
- Title: Short Bio of John Constable (1776-1837)
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- on but modifying in an individual way the tradition inherited from
- poetic diction of his predecessors, so Constable turned away from
- were always running after pictures and seeking the truth at second hand'.
- of the world', and in a then new way he represented in paint the
- records him as saying: I like de landscapes of Constable; he is always
- picturesque, of a fine color, and de lights always in de right places;
- Title: Short Bio of Stuart Davis (1894-1964)
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- became he always claimed that every image he used had its source in
- Title: Short Bio of Adam Elsheimer
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- then settled in Rome in 1600. His early Mannerist style gave way to a more
- Title: Short Bio of Lucian Freud
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- Superrealist), but the subjectivity and intensity of his work has always
- Title: Short Bio of Thomas Gainsborough
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- what he learnt from others, and he relied always mainly on his own resources.
- He was in many ways the antithesis of Reynolds. Whereas Reynolds was
- Title: Short Bio of Giotto (c. 1267-1337)
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- Jesus Christ and of the Virgin Mary. Over the archway of the choir is a scene
- Title: Short Bio of El Greco (1541-1614)
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- throughout his life, always in Greek characters, and sometimes followed
- Title: Short Bio of Francesco Guardi
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- the attention of foreign visitors in the way Canaletto did, and he died
- Title: Short Bio of Nicholas Hilliard
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- lyne showeth nothing'. But while for Holbein a miniature was always a painting
- Title: Short Bio of Ando Hiroshige (1797-1858)
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- (scenes on the highway connecting Edo and Kyoto), was published.
- Sixty-nine Stations on the Kiso Highway.
- gentle way that all could understand, the ordinary person's experience
- Title: Short Bio of Wassily Kandinsky (1866-1944)
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- in a highly theoretical way associating tone with timbre (the sound's
- Title: Short Bio of Paul Klee
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- analyze the primary visual elements and the ways in which they could be
- Title: Short Bio of Nicolas Largillière (1656-1746)
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- on drawing, while some broke away in favour of the style of
- Title: Short Bio of Earl MacPherson
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- MacPherson was lured away from Brown & Bigelow in 1945 by Shaw-Barton,
- Title: Short Bio of Kasimir Malevich (1878-1935)
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- (There is often difficulty also in knowing which way up his paintings
- Title: Short Bio of Henri Matisse (1869-1954)
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- and his spirit, his mind, always had the upper hand over the beast'
- Title: Short Bio of Jackson Pollock (1912-56)
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- since this way I can walk around in it, work from the four sides and be
- Title: Short Bio of John Sargent (1856-1925)
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- Title: Short Bio of Alfred Sisley
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- shows the way in which his dominent and evident lyricism still respects
- he retained a passionate interest in the sky, which nearly always
- Naturally different, he did not promote himself in the way that some
- Title: Short Bio of Joseph Turner (1775-1851)
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- travel but always alone. He still held exhibitions, but he usually refused to
- Title: Short Bio of Diego Velázquez (1599-1660)
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- of line, and mass in such a way that all have equal value, he was known as
- Title: Short Bio of Jim Warren
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- Art Training: "I'm basically self taught. I learned some basics in my high school art class. At college I attended several life-drawing classes, and always studied the great masters at museums."
- Title: Short Bio of Benjamin West (1738-1820,)
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- painting in which he broke away from classical costumes;
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