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- Title: Short Bio of Albrecht Altdorfer
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- His training is unknown, but his early work was influenced by Cranach
- Title: Short Bio of Altichiero (active 1372-84)
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- the solidity and voluminousness of his figures clearly reveal his debt to
- Title: Short Bio of Fra Angelico (c. 1400-55)
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- illuminator, and his early paintings are strongly influenced by
- Angelico more clearly into the mainstream of 15th-century Italian
- early as 1469.
- Title: Short Bio of Rolf Armstrong
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- began to show an interest in art. His early sketches are of sailors, boxers,
- and early 30's Armstrongs images seemed to reflect the youthful charm of
- Title: Short Bio of Federico Barocci (c. 1535-1612)
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- Barocci was born in Urbino and apart from two trips to Rome early in his
- Title: Short Bio of Frédéric Bazille (1841-70)
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- French painter, one of the early
- Title: Short Bio of Giovanni Bellini (1430?-1516)
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- In his early pictures, Bellini worked with tempera, combining a severe and
- are all from this early period. Bellini's
- Title: Short Bio of Sandro Botticelli (Alessandro di Moriano Filipepi, 1444/5-1510)
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- The Early Renaissance
- [Italy] d. May 17, 1510, Florence), Florentine early
- Title: Short Bio of Eugène Boudin (1824-1898)
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- direct link between the carefully observed Naturalism of the early
- Title: Short Bio of Marie Bracquemond
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- made his early reputation as a lithographer and etcher,
- Title: Short Bio of Agnolo Bronzino
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- own early career was also his adopted son.
- Title: Short Bio of Carracci (1557-1602)
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- They worked together early in their careers, and it is not easy to distinguish
- in Bologna (c.1583-84). In the early 1580s they opened a private teaching
- the form) and in his early genre paintings, which are remarkable for their
- studies were engraved after his death and were used for nearly two centuries
- artist in his day, but after his early death was virtually forgotten, and
- Title: Short Bio of Jean-Baptiste-Siméon Chardin (1699-1779)
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- on the basis of two early still lifes,
- Chardin's early support came from aristocratic patrons, including King Louis
- Title: Short Bio of William Chase
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- the best American painting of the early 20th century owes a good deal to
- Title: Short Bio of Petrus Christus
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- is clearly based on van der Weyden's great Prado
- Title: Short Bio of John Constable (1776-1837)
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- Although he showed an early talent for art and began painting his
- Title: Short Bio of Correggio (Antonio Allegri)
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- manner in many of his early paintings indicate that he may have studied
- adopting Costa's pearly Ferrarese coloring and, in the St John of the
- Correggio may well have visited Rome early in his career, although
- Title: Short Bio of Piero Cosimo
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- in early Cinquecento Florence'. One of his outstanding religious works
- Title: Short Bio of Gustave Courbet (1819-77)
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- as people in the arts became more open to new ideas. Courbet's early work was
- Title: Short Bio of Jasper Cropsey
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- Cropsey taught himself to draw. His early drawings were architectural
- Title: Short Bio of Cuyp
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- of Jacob Gerritsz. Cuyp. His early works also show the influence of Jan
- effects of the early morning or evening sun). He approaches Claude
- Title: Short Bio of Edward d'Ancona
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- The first company to publish d'Ancona pin-ups, about 1935 to 1937, was Louis F. Dow in St Paul. d'Ancona worked in oil on canvas and his originals from that time usually measured about 30 x 22 inches. His early work is comparable in quality to that of the young Gil Elvgren, who had begun to work for Dow in 1937. Because d'Ancona produced so much work for Dow, one might assume that he was born in Minnesota and lived and worked in the St Paul, Minneapolis area. It is known that he supplied illustrations to the Goes Company in Cincinnati and to several soft-drink firms, which capitalized on his works similarity to the Sundblom/Elvgren style, which was so identified with Coca-Cola. During the 1940s and 1950s, d'Ancona's superb use of primary colors, masterful brushstrokes, and painterly style elevated him to the ranks of the very best artist in pin-up and glamour art. His subject matter at this time resembled Elvgren's. Both enjoyed painting nudes and both employed situation poses a great deal. d'Ancona also painted a fair amount of evening-gown scenes, as did Elvgren, Frahm, and Erbit.
- Title: Short Bio of Dosso Dossi
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- His early life and training are obscure, but Vasari's assertion that
- he must have been in Venice early in his career. Dosso's work, however,
- Title: Short Bio of Adam Elsheimer
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- then settled in Rome in 1600. His early Mannerist style gave way to a more
- Title: Short Bio of Master Flémalle (active 1406-44)
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- The hypothesis that the Master of Flémalle's paintings are early works by
- Title: Short Bio of Lucian Freud
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- arresting close-up. His early work was meticulously painted, so he has
- Title: Short Bio of Pearl Frush
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- Frush opened her Chicago studio in the early 1940's, doing freelance
- Title: Short Bio of Thomas Gainsborough
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- early works show the influence of French engraving and of Dutch landscape
- Title: Short Bio of (Eugène-Henri-) Gauguin (1848-1903)
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- and elsewhere in the South Pacific. His masterpieces include the early
- Title: Short Bio of Matthias Grünewald (his real name was Mathis Neithart, otherwise Gothart, 1470/80-1528)
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- color. It is these elements, already in evidence in this early work, that
- Title: Short Bio of Jan Heem
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- was born at Utrecht and his rare early pictures are in the style of
- Title: Short Bio of Meindert Hobbema
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- in Gainsborough's early landscapes) and he
- Title: Short Bio of Paul Klee
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- enthusiastically to Early Christian and Byzantine art.
- Klee's early works are mostly etchings and pen-and-ink drawings. These
- Title: Short Bio of Earl MacPherson
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- / early 1960's, MacPherson started travelling again, moving to Tahiti
- Title: Short Bio of Kasimir Malevich (1878-1935)
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- as early as 1913, but Suprematist paintings were first made public
- should be hung, photographs of early exhibitions sometimes providing
- Title: Short Bio of Henri Matisse (1869-1954)
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- Early on in his career Matisse was viewed as a Fauvist, and his
- Title: Short Bio of Jean-François Millet (1814-75)
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- those who most clearly helped to create the Barbizon School.
- Title: Short Bio of Amedeo Modigliani
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- During the early 1900s in Paris, the Italian painter and sculptor
- clearly evident, both in Modigliani's deliberate distortion of the figure and
- Title: Short Bio of Earl Moran
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- the cover for Harrisons first issue of Beauty Parade. The early forties
- Title: Short Bio of Edvard Munch (1863-1944)
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- in the early 20th century. His
- Title: Short Bio of Bartolomé Murillo (1617-82)
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- expected, Murillo's early works show Castillo's influence. Under him Murillo
- later works are nearly all serene religious compositions, marked by splendid
- Title: Short Bio of GeorgePetty
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- By the early 20's Petty was working as a freelance artist, painting
- Title: Short Bio of Piero (1420?-92)
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- (1420?-92). One of the great artists of the early Italian
- Title: Short Bio of Jackson Pollock (1912-56)
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- painting which matured in the late 1940s and early 1950s.
- Title: Short Bio of Odilon Redon (1840-1916)
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- as a colorist that had lain dormant. Much of his early life had been
- unhappy, but after undergoing a religious crisis in the early 1890s and
- Title: Short Bio of Pierre-Auguste Renoir (1841-1919)
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- movement. His early works were typically Impressionist
- the Nationalmuseum, Stockholm) are regarded as the classic early
- much hardship early in his career, but he began to achieve success
- Title: Short Bio of Dante Rossetti
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- brother of the poet Christina Rossetti, Dante showed literary talent early,
- Title: Short Bio of Henri Rousseau (1844-1910)
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- accepted early retirement in 1893 so he could devote himself to art.
- Title: Short Bio of Peter Rubens
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- his early training as an artist and a courtier. By the age of 21 he was a
- Title: Short Bio of Donald Rust
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- Donald Rust was born in Erie, Pennsylvania in 1932. He began drawing and painting at a very early age and has never had the desire to be anything but a serious artist. His early work was directly influenced by his grandfather, Emil Rust, Gil Elvgren, Bob Toombs, and Norman Rockwell. However, he feels there has been no one single influence in his wildlife art and insists that all wildlife artists have affected his style.
- Title: Short Bio of Joshua Shaw
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- is clearly evident in Landscape with Cattle and other works by the
- Title: Short Bio of Alfred Sisley
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- from the early influences that had affected him. In the 1870s
- the demands of the subject-matter. From his early admiration for Corot
- he retained a passionate interest in the sky, which nearly always
- Title: Short Bio of Dorothea Tanning
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- paintings have evolved from her early surrealist evocations of perverse
- Title: Short Bio of James Tissot
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- French painter and graphic artist. Early in his career he painted historical
- Title: Short Bio of Joseph Turner (1775-1851)
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- early training had been as a topographic draftsman. With the years, however,
- Title: Short Bio of John Waterhouse (1849-1917)
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- Early in his career he painted Greek and Roman subjects, but in the
- Title: Short Bio of Jean-Antoine Watteau (1684-1721)
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- scenes from the life of Marie de Medici painted in the early 1600s by the
- Title: Short Bio of James Whistler (1834-1903)
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- inspired much of his early work. The circles in which he moved can be
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